archive (1):

archive (1):
The cat has saved vital info from 1999, 2000, & 2001.

Click on -> "archive (2)" -> for 2002 thru 2008.

Doc's advice -> If you're rushed for time -> click -> "1.success."

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78.Zap-Gram -> 12-26-01 -> To find a home, a screenplay has to generate interest via broad demographics. Why? Because producers want to minimize their risk. They want to invest in projects which will sell tickets. And so when a script proceeds to kick butt in four national competitions -- one right after the other -- then few can deny that the screenwriter responsible for this steamrolling feat has truly written a story which has a compelling hook. Such a script can’t move up through so many judges -- vis-à-vis battling a variety of strong competitors -- unless the writer has been able to demonstrate superior talent. Therein, we offer a boisterous standing ovation to a first-time screenwriter (who had a screenplay doctored earlier this year via the Doc's MFA Method) . . . upon her 2nd-place award as the Runner-Up ($500) in the Screenwriting Showcase Awards. (When it’s on the page, it’s on the page.)

77.Zap-Gram -> 12-17-01 -> You don’t have to wait until spring to test the waters with a new script. The Scriptapalooza Screenwriting Competition is already accepting entries. (This year the winner will walk away with $10,000. Last year the top prize was $25,000.) March 1st is the deadline for early entry. Late entry is April 15th. (No one is busy filling out forms and rushing to the post office on April 15th, are they?) For more particulars visit -> www.scriptapalooza.com.

76.Zap-Gram -> 12-5-01 -> Will lightening strike the same mailbox over and over again? Y’know, it's been known to happen. Here’s two examples. 1) A first-time screenwriter (who had a script doctored earlier this year) was just jolted by another contest notification. Her entry moved into the finals in the Screenwriting Showcase Awards. (And this script had already zapped into the finals/semifinals in several other competitions this year. But who’s counting, huh?) 2) A workshop participant (’96) entered the Moondance International Film Festival and was just notified that her entry made the quarterfinals. Uh-huh, uh-huh. And, like, this wasn't her first electrical jolt this contest season either. (Yeah, maybe these two writers need to put warning labels on their mailboxes. “Stand back. Lightening magnet.”)

75.Zap-Gram -> 11-17-01 -> Pop quiz. What’s “MIB2”? C’mon, don’t you read the trades, huh? A workshop participant (’98) sent us a heads-up and stated that "MIB2" will be the next project that he’ll be working on in the coming months. Yes, indeed. His resume reads like a wish list of fun movies which have been spiced with special effects. Yep, this guy’s CGI talent is in demand. And, like, that’s probably why they want him to work his magic on “Men in Black 2.” Should be a fun ride. Can’t wait to see this one.

74.Zap-Gram -> 11-17-01 -> In the news. Three ex-students grab a little media attention. A workshop participant (’96) receives a positive review per her superb job of directing a new stage play. Cool stuff. Her TV interview was also enticing. Another workshop participant (’97) recently garnered press coverage per a business deal, i.e., he’s cashing in his chips and is retiring so that he’ll have more time to write screenplays. And finally, there was that in-the-know workshop participant (’98) who appeared on “Headliners & Legends.” His political biography of a few years ago landed him an extensive interview on MSNBC. Talk about a super-connector. Sharp mind. (It’s always a pleasure, guys.)

73.Zap-Gram -> 11-1-01 -> What can we say? Impressive stuff. Our Mr. Contest has nailed another competition. He recently got a call from the Texas Film Institute and was told that one of his entries in the TFI's screenwriting contest has moved up to the finals, i.e., the top 12. But wait. There's a kicker. The TFI has sent all of the final-round scripts to New Line Cinema in order for their people to pick a winner. Sweet. (Cheers.)

72.Zap-Gram -> 10-24-01 -> Class news. The students who enroll in the 8-week course are an eclectic bunch and tend to come from a variety of backgrounds; and so when news arrives about an ex-student's career diverging into another area of the biz, we’re not surprised. Two workshop participants (’00) are expanding their orbits. One participant is directing a short film which he wrote and which a recent workshop participant (’01) landed an acting part in. (Small world, huh?) And another workshop participant (’00) is now teaching a writing course for freelancers. Yeah, y'know, the 8-week course has always had an impressive roster of students. The grit and determination of the participants is what makes the course such a joy to teach. And when we receive news of a participant's continued progress vis-à-vis associated work, it's usually eyeopening stuff. (Share the vibe.)

71.Zap-Gram -> 10-19-01 -> The Chesterfield notification letters have been mailed, and the winners have been selected to receive the five $20,000 fellowships. Cue the drumroll. Everyone please stand. Hey, you’re not standing. Okay, that’s better. Good news. Our warm-hearted soul of a guy (a workshop participant from ’96) opened his notification letter yesterday and was informed that his body of work moved him up into the finals via the Chesterfield Screenwriting Competition. The precise wording read: “Your writing demonstrates exceptional talent.” Oh, man. So sweet. Yes, indeed. Our “wise soul” was anointed as a WFP finalist. (Did you know that Paramount Pictures is sponsoring Chesterfield this year?) Anyway, this guy’s a true winner in our eyes, um, even if he didn’t grab one of the $20,000 fellowships. (But, y’know, he came darn close. Oh so close.) Applause, applause.

70.Zap-Gram -> 10-18-01 -> On/off. Up/down. (So what’s new, huh?) But now it’s back on. Earlier this year an indie producer was talking "option deal" in regards to a screenplay which a workshop participant (’00) had developed in the 8-week course. Then this gotta-have-it producer faded away. The phone calls stopped. But, like, not for long. (When it’s on the page, it’s on the page.) Yeah, y’know, for some reason Mr. Gotta-Have-It wants to lock this script up. Makes sense. Where can an indie producer get such commercial quality for such a reasonable price? Anyway, last we heard they were negotiating the particulars. Hang in there, guy. Don’t spend it all in one place.

69.Zap-Gram -> 10-4-01 -> Aggregate contest news. Three workshop participants (two from ’96; one from '99) and a doctored screenwriter . . . have screenplays which have proceeded into the second round in the Austin Heart of Film Screenplay Competition. Note: Three of these writers have feature entries which have moved up the ladder in the adult/family category, and the doctored screenwriter (a second rounder in both categories) and the workshop participant ('99) have garnered a pat on the back in the comedy category. (Good news comes in half-dozens, right?) Plus, our Mr. Contest (workshop participant ’96) was just informed that two of his entries in the Texas Film Institute Competition have “both qualified for the semifinalist round.” And finally, another workshop participant (’98) has a film which was recently selected as an official entry in the New York Film Festival. (This guy wowed us with his sharp wordsmithing ability and his witty persona.) Good luck guys.

68.Zap-Gram -> 9-13-01 -> He’s keeping us in the loop with the good news. An advanced workshop participant ('00;’99), having had an extremely busy summer, lights the candles via contest news, i.e., he ices the cake with his second screenplay. (This guy’s so young and has such amazing talent for his age). Yes, indeed. This phenom's sexy thriller has proceeded to burn into the semifinals in Chesterfield. He writes: “To keep you 'in the loop' with the good news -–just received the letter congratulating me into the semifinals of Chesterfield.” Hey, how does this guy do it, huh? Two words. “Budding career.” (Remember what happened with Shane Black?)

67.Zap-Gram -> 9-13-01 -> A doctored screenwriter thanks the Doc for his help, and the Doc truly appreciates his kind words. Having doctored a screenplay last year for this get-it-done West Coast scribe, it’s rewarding to read that this year he’s gone on to generate recognition from two national competitions, having landed at the top of the list last year per his first contest win. Anyway, earlier in the summer when this humble scribe made the quarterfinals in Scriptapalooza, he wrote us that: “Your advice had a lot to do with that. I am truly enjoying this ride, and again, thank you for helping make it a much more pleasant one.” And then last week another note came in per his entry in Chesterfield, in that he wrote that his submittal made it to the semifinals, and that he’s got a shot at the finals, and so he sent us this note referencing his thoughts: “I wrote [this script] with what you taught me and started [another] from scratch with what you taught me. I want to be sure to let people know who helped me.” Yeah, like we said, he’s humble about his talent; and, y’know, this bodes well for things to come. His willingness to focus on the work and not his own ego is a lesson that many lesser talents should try to emulate. Stay with quality, guy. A big congrats.

66.Zap-Gram -> 9-10-01 -> Whoop-de-do. He does it again. Oh, man. A workshop participant ('96) pops the cork on a vintage bottle of adult beverage per heat in yet another contest. Our warm-hearted soul of a guy just made the semifinals in the Chesterfield Screenwriting Competition. (Champagne, anyone?) And, like, check it out. This remarkable wordsmith used a blitzkrieg tactic, in that he flooded 'em with a body of work via a variety of genres. And, y'know, it worked. Their e-mail stated that they would "notify within eight weeks regarding [his] final status." Such a wise soul. (You might wanna ice down another bubbly near the end of October and buy some party hats.)

65.Zap-Gram -> 9-10-01 -> She's on a roll, i.e., she's grabbed the attention of another national competition. A screenwriter (who had a screenplay doctored earlier this year via the Doc's MFA Method) was named a feature-screenplay quarterfinalist in the Moondance International Film Festival. But it's not over yet. The judging continues, and she has a shot at the finals. Interesting, huh?

64.Zap-Gram -> 8-31-01 -> Wait. What’s that soft metallic sound? CLICK, CLICK, CLICK. Are those tumblers falling into place? Y’know, maybe it is. Talk about zooming up the ladder. A workshop participant ('01) notified us that the screenplay which she developed in the Doc’s 8-week course earlier this year is “in the hands of a producer, monetary backer, and CA studio.” So, like, that clicking noise might be the sound of the combination lock rotating inside the proverbial Hollywood vault. Totally amazing. It's not supposed to happen so fast. But, like, it should be noted that this wonderfully talented writer proceeded to nail her first screenplay in the workshop via a willingness to do the heavy lifting, i.e., via the application of a professional attitude in respect to making the needed changes per the demanding feedback. In other words, this writer’s ability to absorb critical advice and to apply superior collaboration skills is, in the Guru’s opinion, what makes her such a hot safecracker. (Her previous work as a book editor was a big plus, too.) CLICK.

63.Zap-Gram -> 8-21-01 -> Delayed update. Our get-it-done workshop participant ('00) -- y'know, the guy who generates so much "market" action -- well, earlier this year one of his scripts made the quarterfinals in Scriptapalooza and another script made the semifinals in Acclaim . . . but, like, the big news is his recent signing with an L.A. manager who loves his work and who's shopping his scripts. Case in point: A famous director has one of his scripts under consideration, i.e., this director is checking out the story which our screenwriter developed in the Doc's workshop. (Who knew, huh?)

62.Zap-Gram -> 8-21-01 -> Show me more. Last month a workshop participant ('99) pitched a Beverly Hills literary agent the project which she'd developed in the Doc's workshop, and the agent asked for a treatment. (Hey, there you go. Yes, indeed.) This writer's work in the workshop had a special power which is rarely seen from a first-time screenwriter. Stay with it.

61.Zap-Gram -> 8-2-01 -> "You've got mail . . . and it has an Oscar logo on it." But, like, is it good news or bad news? Well, for one of our favorite writers, i.e., for a multitalented guy who had a certain heartfelt script doctored via the MFA Method . . . his letter from Hollywood was a kick in the pants. Our workshop participant ('96) was just notified that his entry in the Nicholl Fellowships (which is sponsored by the Academy of Motion Picture Arts and Sciences) made the quarterfinals and is in the running for one of the five $30,000 fellowships. (Neat, huh?) And, y'know, this year was a toughie 'cause Nicholl had received a flood of screenplays (5489 entries) and only the top 5% (that's the top 285 scripts) made the first cut. Couldn't have happened to a better guy.

60.Zap-Gram -> 8-2-01 -> Face time. A workshop participant ('01) has taken a quick step up the ladder. (This young man is determined.) He got a summer gig at Warner Bros. and will be interfacing with the suits. Yeah, y'know, it's nothing spectacular, but it's a nice way to meet people. (Connections, connections.)

59.Zap-Gram -> 7-23-01 -> Bingo. A workshop participant ('96) has her name on the scoreboard at the Scriptapalooza Screenwriting Competition. Yes, indeed. Her eco-friendly screenplay made the semifinals by beating out over 2200 entries. (That's the top 3.9%.) And, like, she ain't gonna have to bite her nails too long . . . 'cause the judges are promising to name the finalists on August 1st and then award the $25,000 grand prize to the winner on August 15th. Sweet. (Hey, you've done it before, and you can do it again. "Succes d'estime.")

58.Zap-Gram -> 7-17-01 -> Payday. A workshop participant ('99) signed another option deal. This contract was for the screenplay he'd polished in the Doc's 8-week course. (Four words. A comedy for kids.) To quote our wordsmith: "I've been dealing with this producer for two years. In fact, he was the first producer to read the script after my rewrite from your workshop notes." (These things happen.) But, like, this screenwriter knows how to play the game . . . 'cause this wasn't his first option contract. Last fall he'd also inked a deal on another spoof/comedy. (Hold the phone. It don't stop there.) This purveyor of the commercial concept came into the workshop having already written an armful of scripts. Let's hope there's more good news in the pipeline.

57.Zap-Gram -> 7-10-01 -> Double-quick. Last month a screenwriter (who had a screenplay doctored earlier this year via the Doc's MFA Method) was named a finalist in a national competition, and now that same screenwriter has proceeded to generate interest as one of the top semifinalists in yet another competition, i.e., the All She Wrote Screenplay Contest. Yeah, talk about building some heat with one screenplay. Cheers.

56.Zap-Gram -> 7-8-01 -> Our "Mr. Contest" has another script moving up the ladder. Back in May this workshop participant ('96) was notified that one of his screenplays made the first cut in the Carl Sautter Memorial Scriptwriting Competition, i.e., his entry moved to "Phase Two" . . . which means that in late July they'll let him know if he made the "Finals." (Here's a clue. This script's purity of soul makes it one that Carl Sautter himself probably would've been proud to have written. At least, that's the Doc's opinion having met Carl years ago.)

55.Zap-Gram -> 7-8-01 -> A filmmaker's hard work and good deeds garner him an award. A workshop participant ('96) was named the recipient of the D. Montgomery Award ($2,500). Our dedicated moviemaker is well-known in Austin as the guy one should study with in order to grab hands-on experience with Super-8. Yes, indeed. Congrats.

54.Zap-Gram -> 6-22-01 -> Add another contest to the resume. A workshop participant ('00; '98) was recently notified that he made the semifinals in the American Accolades Screenwriting Competition. In other words, out of roughly 900 entries, our screenwriter's heartfelt drama was judged to be in the top 15%. (But wait. There's more.) His entry is now in the running for the final selection to be announced in July. Yeah, and talk about stickin' with it -- this screenplay was first developed in the workshop, and then our award-winning screenwriter proceeded to work through a number of demanding rewrites. (Sorta like ridin' a wild bronco, huh? Gotta hold on.)

53.Zap-Gram -> 6-5-01 -> When you're hot, you're hot. Our get-it-done workhorse . . . y'know, the workshop participant ('00) who's known for his dogged determination . . . well, this guy now has two projects under consideration at Fox TV. But, hey, it don't stop there 'cause a camera-happy Hollywood production company is also pondering his talent for a possible development deal. Yep, this mensch has the professional background and necessary people skills to make things happen. (His long-distance phone bill must be a killer.) Anyway, after having doctored several of his scripts, the Doc has full faith in his ability to nail one of these deals. (Lunch?)

52.Zap-Gram -> 6-4-01 -> Contest news. Congratulations. A screenwriter (who had a screenplay doctored earlier this year via the Doc's MFA Method) was just named a finalist in the Acclaim Screenplay Contest. Yes, indeed. Impressive stuff. And, y'know, it just goes to show you that having a strong passion for a story (and a good eye for research) can pay dividends.

51.Zap-Gram -> 5-26-01 -> Opportunity knocks. A workshop participant ('00; '99) is not satisfied with simply shopping his noir thrillers. Nope. This guy's on the road this summer making connections via gigs at two production companies. Yeah, and we're talking a couple of weeks interface at Miramax Films, too. What a coup, huh? And, like, this ain't no jive . . . 'cause this dude's the real thing, i.e., an amazingly talented young writer.

50.Zap-Gram -> 5-5-01 -> They come in all sizes and shapes. Fox Searchlight has picked up Richard Linklater's WAKING LIFE for distribution per a fall release. And, as we noted earlier this year, a workshop participant ('97) received a producer's credit on this film (which was critically acclaimed at Sundance) . . . but what we didn't know at the time was that our multitalented producer-filmmaker was also the proud parent of an animated documentary via PBS. Nice.

49.Zap-Gram -> 5-5-01 -> The waiting game. A workshop participant (who was on a roll a few months ago) . . . is now in limbo in regards to his option deal. But, like, this talented twentysomething is not biting his nails . . . 'cause another prodco is sniffin' around . . . plus he's recently sold two short scripts (one comic, one horror) to a print publication. Yep, that's one of the best ways to cope with the hurry-up-and-wait stuff. Ignore it and keep writing.

48.Zap-Gram -> 4-16-01 -> Years ago a beginning writer was offered feedback on her screenplay. The potential for success as a wordsmith was quite obvious. Now, after an arduous climb up the career ladder, this credentialed screenwriter has her name on a movie and also has recently developed a script for a famous star. (Cool, huh?) Yeah, and this writer's entree into the cash-flow loop sorta confirms the fact that a screenwriter doesn't have to actually live in L.A. in order to ink a deal.

47.Zap-Gram -> 3-29-01 -> Standard operating procedure. A doctored screenplay generated interest at a Hollywood production company which has a first-look deal with Paramount, i.e., this prodco liked the writing but didn't wanna buy the script . . . yet did salivate over a pitch in the same genre. (Uh-huh. Yeah, right.) Then the development executive (hooked via the pitch) wanted to know if our screenwriter would consider being the executive producer on this, um, possible deal. Tough one, huh? But it gets even better. Our screenwriter also has a Canadian production company interested in a low-bud teen horror. (Hey, it's called working the phones.)

46.Zap-Gram -> 3-13-01 -> Competition news. A workshop participant ('00) was recently notified that one of his scripts made the quarterfinals in the "Fade In: Screenwriting Awards" . . . and, like, he also mentioned that Fade In had received roughly 2000 entries. (Um, what the Doc liked about this workhorse's script was its heartfelt expression of "truth.") In the same vein, another screenwriter also notified us that his script, too, had moved onto the same list at Fade In. (Again, heartfelt expression of "truth." Note: This guy had submitted his screenplay to Fade In before he'd asked the Doc to look at it. And that draft was pretty darn good.) Best wishes to the both of you.

45.Zap-Gram -> 3-13-01 -> A quick note. A workshop participant ('96; a guy who's known for his storytelling quality, a guy whose name has popped up year after year vis-a-vis numerous contests) . . . anyway, last month this talented screenwriter (and wonderful soul) received an apology from a new staffer at Chesterfield for the dropped/ miscommunication the screenwriter had endured per his entry in last year's competition. He was told that Paramount Pictures is now sponsoring the WFP (the Chesterfield Competition). Therein, it appears that the WFP's new staff, per the sincerity of the apology, is committed to doing a better job.

44.Zap-Gram -> 2-27-01 -> Camera. Action. A workshop participant ('97) fulfilled his lifelong dream. He directed his first feature via his own script. We're talking "the eye of the needle," in that his screenplay was perfectly crafted for a low-bud indie production. (The Doc gave the script a big thumbs up.) Our writer-director writes that they recently wrapped the shoot, and he's extremely pleased with the postproduction results. (No complaints?) Well, y'know, "the writing was on the wall" when the producers brought in that first group of talented actors vis-a-vis a cold reading . . . and then the words proceeded to flow with a compelling oomph. (Hey, when actors rave about the quality of the writing, this sorta foreshadows good tidings. Two words. Premiere tickets.)

43.Zap-Gram -> 2-8-01 -> Sundance ovation. A workshop participant ('97) had 'em standing and clapping at Sundance. The movie he produced (Richard Linklater's WAKING LIFE) was a big hit with the audience. And, of course, back in September of 1999 our readers got an early scoop on the innovative technology which was employed in WAKING LIFE, i.e., we labeled it "freehand CGI/digital . . . sorta looks like animation." And now the lucky few who saw WAKING LIFE at Sundance are "hip" as to what we were referencing. Indeed, this movie is a must-see . . . so look for a summer release. (Eclectic really does describe our multitalented producer-filmmaker.)

42.Zap-Gram -> 2-1-01 -> Amazing. Joyous tidings. A workshop participant ('00) is on a roll. (We're talking a Vegas hard seven.) This writer just made the cut into a prestigious film program . . . and an indie producer (per a Doc referral) is talking development assignment . . . and the same producer also wants to produce the writer's crime romance which he developed in the workshop last year. Hey, for a scribe who's only 23 years old, this is heady stuff. And, y'know, with such a rapid entree into film, this surely bodes well for things to come. Mucho kudos.

41.Zap-Gram -> 1-27-01 -> Skywalker update. A workshop participant ('98) sends greetings from the land of backup generators. This tech wizard is working with George Lucas at Industrial Light + Magic. Talk about gung-ho fx. (And our tech wizard has a dino script, too.) Anyway, moviegoers should get a huge treat this summer per JURASSIC PARK 3. Also, the the CGI work will probably continue "well into next year" on STAR WARS 2 and SPIDERMAN. Yeah, seamless special effects, y'know?

40.Zap-Gram -> 1-27-01 -> Delayed info. In 1997 a script was doctored for a screenwriter who's known for his grit and determination. Having been out of the loop vis-a-vis this guy's work . . . it was recently brought to our attention that last year he received national recognition as a semifinalist in the Nicholl Fellowships which are sponsored by the Academy of Motion Picture Arts and Sciences, i.e., the parent to the Oscars. Congrats. (Yeah, we know. A different script.) But for us the real joy came when we read down the list of Nicholl semifinalists and saw the above guy's name and also the name of a repeat workshop participant ('98, '00). Hey, two recognizable names in the same year. Separate paths but the same list. As always, it was an honor to have worked with such talented writers.

39.Zap-Gram -> 1-25-01 -> High-five. Touchdown. Mike Burns (a workshop participant '00) had a book signing up in Round Rock on Wednesday night at the new Barnes & Noble . . . and he writes that it was "terrific . . . a sellout." And, y'know, for a bookstore such as that to have a sellout at a personal signing is no small feat. It doesn't happen that often. Mike's book is titled -- "Night Train Lane: The Life of NFL Hall of Famer Richard 'Night Train' Lane." And, like, if you wanna buy a copy . . . well . . . check with the other Austin Barnes & Nobles. This book is being released by a small press, and copies are just now making it onto the shelves.

38.Zap-Gram -> 1-10-01 -> It's that time of year. The screenwriting competitions are accepting entries. (The award money is hefty, too.) This year the Scriptapalooza Screenplay Competition has a Grand Prize of $25,000. (That can buy a lot of 3-hole-punch paper.) March 5 is the deadline for early entry. Late entry is April 15. (Well, y'know, you don't have to be a CPA.) For more particulars visit -> www.scriptapalooza.com.

37.Zap-Gram -> 12-22-00 -> The details are somewhat sketchy, but the following info was passed along by a talented workshop participant ('96). It appears that this screenwriter's career is chugging forward, i.e., he was recently named a finalist in the Yolk Magazine Contest and in the Coalition of Asian-Pacific Entertainers Contest. Also, per one of these competitions, he referenced the fact that he had a shot at actually winning the competition. But, like, it gets even better . . . 'cause a Hollywood manager had just contacted him in regards to representation . . . plus . . . our screenwriter is presently working (under option) with a director on an earlier script. Whew. Busy, uh-huh.

36.Zap-Gram -> 12-8-00 -> Talk about a twofer. A West Coast screenwriter (who had a feature-length screenplay doctored earlier this year) took the Doc's advice and wrote a short script . . . then entered it in the First Annual Latino Screenwriters Series (shorts) Contest. Word is -- his script made it to the top of the list, i.e., the number one slot. Whoa. And there's more. Not only does this screenwriter receive the well-deserved recognition, but the contest award also includes "an option contract with an intent to produce his script and submit the final film to a number of national and international film festivals." Not bad, huh? What-a-go, guy.

35.Zap-Gram -> 12-7-00 -> This year's Doc Award goes to the advanced workshop participant ('99) . . . who proceeded to hang out her shingle as a story analyst. Yeah, gutsy stuff. But, y'know, that's what it takes. Self-employment spunk. Indeed, when this screenwriter enrolled in her first SW 126 . . . she amazed the whole class with her unique ability at knowing the answers to the really tough questions. Hey, at the time her remarkable insight verged on the psychic, i.e., she appeared to be sorta reading the instructor's mind. (Nah. Impossible.) Anyway, let's hope her script coverage turns out to be as eerily accurate. We wish you the best of luck.

34.Zap-Special -> 11-25-00 -> News from the Third Coast. The future appears to be bright for film-and-TV production in Austin, Texas. A coordinated effort via the City of Austin and local filmmakers has birthed the new "Austin Studios: Soundstages & Media Center." Hey, we're talking Hollywood square footage, i.e., we're talking a studio campus of twenty acres (e.g., production offices and the conversion of six airport hangars into mega-camera soundstages). An auteur's dream come true, no? (Note: This facility is being promoted as filmmaker-friendly for studio projects and for the budget challenged. For more info -> go to -> www.austinfilm.org.)

33.Zap-Gram -> 10-31-00 -> Trick . . . or . . . treat? There's a rumor floating around town that the Austin Heart of Film Screenplay Competition might add a TV-script category next year. To date, only film scripts have been judged by Heart of Film. So, like, here's a "trick" to think about. Ask yourself who will wanna buy a newbie's TV-show script, i.e., ask yourself how many buyers are there out there for a TV-show script as compared to a feature-film spec script . . . if one isn't lucky enough to make the finals in the competition? Then, y'know, to get a "treat" . . . what happens if one doesn't live in L.A., i.e., what are the chances of getting a TV script read by a show's staff writers? Yeah, it's a trick-or-treat gamble. If you're smart, you'll factor in the odds before you place a bet.

32.Zap-Gram -> 9-28-00 -> A happy ending. A workshop participant ('00) wins 1st Place in Scriptscene's SHARE THE DREAM Contest which is sponsored by The New England Chapter of the Romance Writers of America. Talk about a screenplay romancing success. Indeed, when a writer gets contest feedback referring to a story's unique premise, one knows that this bodes well for things to come. (Two words: Joan Wilder.)

31.Zap-Gram -> 9-26-00 -> For a screenwriter, taking the time to sit in front of the silver screen and analyze a variety of movie genres is vital. And, y'know, some writers have an edge when it comes to moviegoing, i.e., they've been blessed with day jobs which allow for many such hours each week. Case in point: A workshop participant ('99) has had the great luxury of watching numerous movies on a weekly basis, and now it appears his moviegoer research has finally paid off. After having spec'd a number of screenplays, he just recently sold his first option. Kudos. But it doesn't stop there. He writes: "I'm also in talks to co-write another feature for this producer." Whoa. Sounds serious. We want tickets to the screening.

30.Zap-Gram -> 9-20-00 -> Talk about brutal talent. Just heard from a workshop participant ('00). Yeah, this guy is punchin' like a heavyweight. Pounding away. Relentless. Round One: Muscle Man's agent faxed a summary of his NFL biopic to a famous director, and then the head of production in New York immediately called back and asked to read the script. Round Two: Muscle Man was notified that his Western makes the semifinals in the Nevada Film Office 13th Annual Screenplay Competition. Round Three: Muscle Man lands an upper jab when he gets yet another director interested in his true-life crime thriller . . . dovetailing with positive coverage from a story analyst at an L.A. production company. Round Four: The ref calls a time-out 'cause the fans are cheering so darn loud.

29.Zap-Gram -> 9-11-00 -> Yeah, it's that time of year. Woe or wonder. This is when the thesaurus hits the fan, i.e., this is when a number of screenwriting competitions let you know your status (or lack there of). Here's the scoop. Just got a call from a workshop participant ('98). She said that the Austin Heart of Film Screenplay Competition notified her that she'd made the semifinals. She also said that she was told that her script had made it into the top 30 out of over 3400 entries. (Hey, light the candles on the cake. Party time.) But, y'know, there's a kicker. Because she had just recently signed an option deal on that same script, she proceeded to do the right thing and withdrew her entry from the competition. In other words, our wordsmith of great comedic talent . . . played by the rules since an optioned screenplay isn't allowed to progress in the competition, i.e., our wordsmith had signed her option after she'd submitted her entry, i.e., at the time she'd accepted the option . . . she didn't know her script was going to receive such heat in the Heart of Film. (Oh, the trials and tribulations of the talented.)

28.Zap-Gram -> 9-11-00 -> News update. A workshop participant ('96) makes the top 10% in the Austin Heart of Film Screenplay Competition . . . and then is notified that this same script has moved into the quarterfinals in the New Century Writer Awards. Hey, a twofer. Plus, another workshop participant ('99) also makes the top 10% in the Heart of Film. (Note: This is a major coup since this guy is so dang young. A true phenom . . . 'cause for him to have written such a high-quality story at the age of 18 is a remarkable accomplishment.)

27.Zap-Gram -> 9-3-00 -> Um . . . do you hear a drumroll? Do you see a rocket's red glare? Well, image that you do . . . 'cause this is, like, a biggie, okay? A workshop participant ('98) was just notified that he's a semifinalist in the Nicholl Screenwriting Fellowships. This means that out of 4250 entries, his made it to the top 117, i.e., the top 3%. (Hey, is that clapping we hear at the Academy of Motion Picture Arts and Sciences?) Indeed, this writer's remarkable screenplay is in the running to make the next cut, i.e., the final 10. But wait. There's more. Our talented dramatist has also been notified that he's just made the quarterfinal round in the New Century Writer Awards. A standing ovation.

26.Zap-Gram -> 9-3-00 -> Dang. Talk about sizzle. A workshop participant ('98) recently signed an option deal with an L.A. producer/director. Oh, oh, oh. Red hot. This deal was inked due to the writer's talent for writing dead-on, laugh-till-it-hurts comedy. Y'know, pages and pages of funny funny. Yeah, maybe that's why her script was then sent to a name-brand actress. But, like, the buck don't stop there . . . 'cause this writer's representative has yet another producer waiting in the wings with yet another offer. Double dang.

25.Zap-Gram -> 9-2-00 -> Overnight successes rarely happen. Screenwriting careers take years of hard work in order to achieve recognition. Case in point. A workshop participant ('96) has been building her resume via a variety of work. She writes coverage for production companies, has a staff gig with an online magazine, and teaches screenwriting. Also, she has had two option deals and has been paid to develop two scripts. Hey, if there was an award for grit and determination, this writer would win hands-down.

24.Zap-Gram -> 8-26-00 -> Getting a script to the right person in Hollywood isn't easy. Landing a WGA agent is sorta tough. New screenwriters have to somehow prove themselves in order to get attention. Therein, one of the best ways to establish instant clout is to top out in a national contest. Beating out hundreds of competitors creates power momentum. But . . . if one hasn't been blessed with contest recognition . . . and if one can't make it to the "in" basket of a gatekeeper . . . then what's the alternative for a struggling writer? Well, newcomers might consider using a script referral service such as the Writers' Script Network. If you haven't checked it out, go to the link menu on the left side of this page and click on -> "www.info." (Note: The Writers' Script Network is one of many online services which offers new writers an alternative into the system. But there's also a major caveat. These services do not guarantee the placement of scripts. It still takes a well-written screenplay to generate heat.)

23.Zap-Gram -> 7-17-00 -> Talk about fast. A workshop participant ('00) turned in a strong script this spring . . . then she got notes back . . . which offered suggestions on a way to fix the second half of her story, i.e., to make it as powerful as the first half. And, y'know, this is a working writer who makes her living as a wordsmith . . . which means she's constantly under deadlines with her "day job." So here's the kicker. That script she developed in the workshop . . . "was among the five finalists in the Scriptscene contest [sponsored by The New England Chapter of the Romance Writers of America] -- a contest for romantic screenplays." She goes on to say that: "My manuscript has been sent on to an agent for final judging." Yeah, it's amazing what a writer can accomplish when they're as motivated and determined as this wordsmith. She really has paid her dues. Cross your fingers and hope for a happy ending.

22.Zap-Gram -> 7-11-00 -> Hangin' tough. A group of workshop participants ('98) has news to share. A director is "talking option" with one of these writers. (Sounds serious. Hold on to your checkbook.) Another writer has been working full-time as a production assistant on movies such as MISS CONGENIALITY and PICNIC. Another has a script on hold with a small production company. Another workshop participant is working in postproduction on a negative pickup. And . . . the youngster of the group is dabbling in the fast-lane dot-com world (pre-IPO). Hey, is this posse hot or what? There appears to be a building critical mass. Yeah, y'know, that's what it takes. Sharin' the vibe. Comradeship has its benefits.

21.Zap-Gram -> 6-29-00 -> Does "being in the brackets" mean anything to you? No? Well, it might mean something to you if you'd submitted a screenplay to the Screenplayoff Screenwriting Competition. Hey, heads up. In a few weeks Screenplayoff will award a top prize of $5000. That's a nice hunk of change. Also, the word is . . . the quality of the scripts making it to the final rounds is impressive. The crew at Screenplayoff gets a thumbs-up for figuring out a way to add a sporting flavor to a screenplay competition. Note: If you're interested in tossing your brass brads "into the brackets" for the 2000/2001 competition, go to -> www.screenplayoff.com in late July.

20.Zap-Gram -> 6-21-00 -> Like cold weather? Wanna live in Canada? Wanna work on the cutting edge in animation? Wanna make $25,000 . . . Canadian? If so, then keep reading. Animatrix Productions and The Animation Academy are looking for writers to pitch concepts in order to launch a Web-broadcasting station. "Up to three fellowship positions will be awarded for the 2001/2002 term. Fellows receive a $25k ($Canadian) salary, round-trip airfare from the nearest city center to their home, and accommodation." For more info -> go to -> www.animatrix.ns.ca/contests.html.

19.Zap-Gram -> 6-20-00 -> News flash. A workshop participant ('96) has just published a book. His name is Irwin Tang. Tang will sign -- THE TEXAS AGGIE BONFIRE: TRADITION & TRAGEDY AT TEXAS A&M -- at Book People (Austin) on Tuesday, June 20th at 7 p.m. He writes that: ". . . it's crazy fascinating. It's all about the culture, the culture, the unique A&M culture." Tang showed off his talent in the 8-week screenwriting workshop. His POV was fresh and original. His book should make an interesting read.

18.Zap-Gram -> 6-3-00 -> A screenplay which was doctored by the MFA Method last fall has proceeded to generate heat in Hollywood. The writer's WGA agent sent the script to a name-brand actress . . . whose agent at ICM responded within several weeks . . . saying that his client very much wanted the part. Whoa, that was fast. I guess when one has a crime thriller with a strong female lead which is based upon a true story . . . when the characterization jumps off of the page . . . then, y'know, they wanna know if the package is in place.

17.Zap-Gram -> 5-23-00 -> Opportunity knocks. Wanna live in the Big Apple? Wanna direct a digital feature on a $500,000 to $1.5 million budget? Wanna sign a two-year contract which pays a yearly salary of $50,000? Well, here's your chance to throw your hat in the ring. Madstone Films is soliciting first-time writer-directors for its development program. The emphasis is on "directors" who have a sample tape and a treatment or screenplay to include in an application. The deadline is June 16th. Go to -> www.madstonefilms.com -> to apply.

16.Zap-Gram -> 5-15-00 -> Some writers have a remarkable talent for expressing emotion via cinematic dialogue. In 1998 a student enrolled in the 4-week workshop and then proceeded to wow us with some wonderful scenes. Yeah, this guy obviously had a natural talent. So, y'know, when he recently called with the news that he's working with a producer on a project . . . this wasn't, like, unexpected. It's nice to hear that he's written a feature-film script and that he's passionate about his craft. Hey, it's always a joy to hear the good news.

15.Zap-Gram -> 5-15-00 -> Music fans. On Saturday, June 3 --at the South Padre Island Convention Center -- the Cine Sol Film Festival offers "Rock en Espanol to Shine." The Latino Rock Alliance will present a screening of the documentary ALTERLATINO (the beginnings of the Latino rock movement in Austin) . . . directed by Veronica Cavazos. Note: There'll also be a special screening of videos that have generated calls for censorship in Latin America per their political and social criticism. If you'd like more info, please contact the Latino Rock Alliance -- Austin Chapter --at 512-440-9301.

14.Zap-Gram -> 5-6-00 -> News from a workshop participant ('99). This guy has just landed a gig as a reader for the Austin Film Festival Screenwriting Contest. To qualify, he had to give feedback on two "test" scripts . . . which he passed . . . then he was given 10 scripts to take home to score for the competition. Before it's all over, he'll have to read a total of 70 scripts in order to earn his free pass to the fall conference. Good luck. That's a lot of scripts to plow through. He also writes that he's midway through the first draft of his third screenplay. Stay with it.

13.Zap-Gram -> 4-19-00 -> Heads-up. The Walt Disney Studios/ABC Television Fellowship Program . . . has pushed back its application deadline this year. The window for submittals runs from May 1 to May 21. Disney/ABC will award up to eight $33,000 fellowships. If you have a hot spec script, you can call 818-560-6894 and have Disney send you an application. Note: "Requests for applications will not be taken by phone or mail after May 1, 2000." (Or go to -> http://members.tripod.com/~disfel/index.html.) Doc's advice -> This is a highly competitive competition. Don't waste your time unless you have an oh-wow, knock-'em-dead story that's professionally written. Good luck.

12.Zap-Gram -> 4-5-00 -> The CineStory Screenwriting Awards have announced this year's list of quarterfinalists. A workshop participant ('98) made the cut and is in the running for the semifinals. Congratulations. Keep your fingers crossed. Note: This year CineStory received roughly 1000 scripts and only the top 6% advanced to the quarterfinals.

11.Zap-Gram -> 4-2-00 -> Good news/bad news. A screenwriter who had a script doctored via the MFA Method last fall . . . has a book coming out in September and is plowing through a screenplay adaptation of the story. Hey, this is what's called cross-fertilization, i.e., having the script tie-in ready to go in order to use the book's publicity to generate heat. Sounds interesting. Looking forward to reading the adaptation. On a darker note, this writer's doctored screenplay got a "well-written" nod from a TV producer . . . but then the producer requested changes. Yeah, what's new, huh? At least she liked it and said she wanted to read the revised version. Y'know, she could've done an El Paso (i.e., bad-bad news). Hang in there.

10.Zap-Gram -> 3-21-00 -> New Line Cinema will release PRICE OF GLORY on Friday, March 31st . . . on roughly 800 screens. Carlos Avila (the director) has crafted a heartfelt story which offers hope to those who struggle against adversity. And even though the storyline revolves around boxing, this movie is not a sports movie per se. Rather, this is a family story about a father and his sons . . . about a father who has his flaws . . . but also about a loving father who ultimately "does what's right" for his sons. Avila offers a universal theme of love and hope. To be sure, this is a family film, i.e., a film parents should take their kids to see. Teenagers need to experience movies such as this, movies which dramatize positive role models . . . in that the PRICE OF GLORY solidly delivers an uplifting message. Yes, this is a traditional story which you rarely see in a theater these days. Jimmy Smits' performance creates a momentum which embraces the audience, which delivers a warmth of parental love. And if you don't know who Jon Seda is . . . then you will. This guy's gonna wow you. Watch for his career to skyrocket. (Note: The female demographic has raved about PRICE OF GLORY. Y'know, for a movie which has so many boxing scenes, this story doesn't fit the mold. Check out the Web site -> www.priceofglory.com.)

9.Zap-Gram -> 3-19-00 -> Here's an update on the continuing saga of the young wonder-meister, i.e., the workshop participant ('97) who recently signed his first option deal. Yeah, it just gets better and better. The word from Hollywood is . . . the script is generating heat. A zesty manager has zoomed in, per a rapid read, and has offered to sign the wonder-meister to a management deal. But get this. The wonder-meister hasn't penned his John Hancock as of yet . . . 'cause he's waiting to see who'll come in with the best offer. Y'know, when it's on the page, it's on the page. This is a rare one. It doesn't usually happen this fast.

8.Zap-Gram -> 3-7-00 -> If it's funny, it's worth money. A round of applause. A workshop participant ('96) was notified that her comedy script made the quarterfinals in the FADE IN magazine contest. Hey, she deserves it. Her positive personality is well-known in Austin. She has helped numerous writers up the ladder. Her can-do attitude is a huge plus. "May the Laughter be with you."

7.Zap-Gram -> 2-18-00 -> You never know how the dice are gonna fall. It's a crapshoot. But sometimes a young writer gets lucky . . . and it helps to have a huge amount of talent. This guy has both. A workshop participant ('97) just inked his first option deal. A true wonder-meister. Hey, it's a killer script. So God-awful smooth. When a script doctor gets one of these, it's such a pleasure. And then when two professional actors are nice enough to show up on short notice and proceed with a cold reading with no prep . . . sizzlin' stuff. A big seven on the first roll. Can you believe . . . in less than two weeks after the impromptu reading . . . wonder-meister got a payday? Yeah, knock-ya-dead talent. Best wishes.

6.Zap-Gram -> 2-15-00 -> Delayed update. Remarkable stuff. A doctored screenplay cruised into the final round in the "Set in Texas" Screenwriting Contest. Ride 'em cowboy. Only five screenplays made the cut. This contest is sponsored by the Houston Pan-Cultural Film Festival. Clearly -- this script is a grabber. Would make a great indie project for the right producer.

5.Zap-Gram -> 2-15-00 -> Delayed update. The workshop participant ('96) who made it into the quarterfinals in the Empire Screenplay Contest . . . has proceeded to the semifinals. Empire requested an e-mail submittal of info in order to move the process forward. Keep your fingers crossed.

4.Zap-Gram -> 1-31-00 -> Unbelievable. This guy is truly amazing. A workshop participant ('96) was recently notified that's he's a Chesterfield quarterfinalist. The juicy part is . . . he slam dunks a variety of competitions each year. Oh, wow. A remarkable wordsmith.

3.Zap-Gram -> 1-16-00 -> As promised, here's the scoop on the biopic about the famous Austin musician. VH-1 has inked a development contract for a Hollywood insider to write a cable movie about Stevie Ray Vaughan. Yeah, this is the same production entity which produced SWEETWATER . . . which turned out fairly good considering its tiny budget. Note: Word is that the Vaughan biopic got an initial green light per a $3-million budget. Well, let's hope they come up with some more moolah. An Austin music afficionado . . . fantasized about Val Kilmer playing Stevie Ray. Hey, wouldn't that be oh-so cool? But, y'know, that probably won't happen . . . 'cause VH-1's budget is less than what Kilmer would surely want for a small cameo. Oh, man. I guess we can only dream, huh?

2.Zap-Gram -> 1-9-00 -> Positive vibe. A workshop participant ('96) has just been notified that one of his screenplays made the quarterfinal round in the Empire Screenplay Contest. Hey, this guy runs on all cylinders. He's generated heat in numerous competitions. If one wanted to place a bet, it wouldn't really be gambling to expect his screenplay to have a fairly good shot at making the semifinals.

1.Special -> The memorial info in regards to Ken Gonzales can be found in "archive ('99)." Ken was murdered on 12/12/99. He was shot by the ex-boyfriend of his new girlfriend. It was a case of domestic violence.

(Below is the archive for 1999.)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

72.Zap-Gram -> 12-24-99 -> Insider scoop. In order to protect the concept (in that the details can't be revealed at this time) . . . a development contract was recently signed for a Hollywood insider to write a screenplay about a famous Austin musician. And no, this isn't a "studio" film, but the project will be produced by a name-brand entity. (Hey, this is gonna be a biggie in Austin. Totally.) And knowing the talent involved, this biopic will certainly be a must-see event. Look for an update on the particulars next year.

71.Zap-Gram -> 12-19-99 -> Hey, hey, hey. Hollywood has Mars fever. No, not the candy bar. The planet. The computer keyboards are whizzin' away at Industrial Light & Magic. The special effects guys are punchin' up MISSION TO MARS. But this isn't the only red-planet offering. Next year movie screens will sparkle with a gaggle of celestial projects. A reliable source states that moviegoers will get to see Martian lava, CGI insects, and heavenly bodies fall from the sky. Now that's moviemaking . . . that Obi-Wan Kenobi . . . would wanna take his friends to see. (Okay, well . . . maybe Harry K. will wanna do another camp-out thing outside.)

70.Zap-Gram -> 12-19-99 -> Talent can express itself in a number of ways . . . and multitasking can be an economic necessity when you're a struggling writer. Here's an example. There's this guy who loves to juggle a variety of projects. He first came into the workshop in 1996. At the time he had a career working for a premiere ad agency and had done some stand-up comedy. Anyway, this word wizard then proceeded to hit a home run with his first spec script . . . which garnered a semifinalist nod from Nicholl. And get this. This summer, as he was gearing up a whacky production for a theatre group he helped start, he came back into the workshop to nail down his third screenplay. Plus, he was also freelancing ad work. But it doesn't stop there. Now he's added more to his plate. He's writing news articles for a satirical Website. Talk about multi-multitasking. But, y'know, when you think about it, there is a glue that binds his talent . . . and it's his love of comedy. That's why his first screenplay had us laughing on so many pages . . . that's why he's on stage offering the public a series of parodies of funky film genres . . . and that's why he does voice-overs for funny radio spots on the side. Well, hey. He likes to stay busy. Knock 'em dead.

69.Sad News -> 12-14-99 -> A tragic set of events has taken the life of Ken Gonzales, a talented screenwriter who participated in two workshops in 1999. There was a memorial service Monday night in Austin, Texas. The anecdotes from his family and friends . . . offered a heartfelt tribute to a guy who everyone liked. It seems as though his goal in life was to make other people happy. He brought such a good vibe to so many people. And Ken was that rare person who was humble about his talent. His storytelling ability was exceptional, and he was a joy to work with. It's truly a sad loss . . . for Ken's potential was enormous. Those of us who had the good fortune to be around Ken, even for a short time, will always remember his warm heart. His screenplay about the Texas Valley is a one-of-a-kind story. We hope his work continues forward. Our thoughts are with his family.

68.Zap-Gram -> 12-3-99 (a.m.) -> Whoa. Gutsy stuff. One of the most talented screenwriters to ever participate in the 8-week workshop . . . is going to camera with a wonderful low-bud indie. The backstory: He was a workshop participant ('97) . . . then proceeded forward to write a strong body of work (i.e., a handful of screenplays which were doctored via the MFA Method). Y'know, this guy isn't a one-trick pony. He's got depth. Yeah, and what makes his talent so remarkable is his damn young age. (Oh, such career potential.) But it doesn't stop there. He's gonna direct his own script. Hold onto your hats. Y'know, we may be seeing the start of great things to come. Expect further updates on this levelheaded auteur, a rare personality of truth and humility.

67.Zap-Gram -> 12-3-99 (a.m.) -> A reliable source stated that Austin will soon function as the production location for a movie titled: STEWART. Richard Linklater and Mike Judge are teaming up on this one. Sounds like an interesting story . . . a la a demolition-derby venue. (The overly intelligent might tag it as a metaphor for indie filmmaking.)

66.Zap-Gram -> 11-22-99 (a.m.) -> Years ago . . . there was this wonderful screenwriter who was offered some advice on a quirky rodeo script. And guess what? This talented scribe was just named a semifinalist in the Moondance International Film Festival Competition. Oh, wow. Super cool. (And she's had national recognition before.) Hey, when ya got it . . . ya got it. The best of luck. Stay in touch.

65.Zap-Gram -> 11-10-99 (a.m.) -> The media spotlight illuminates a workshop participant ('98). Success comes via the publication of a political biography. Yeah, this guy was a working journalist when he brought his talent into the workshop. In other words, this reporter had a solid reputation for writing feature articles for major newspapers. Now his career has branched into a new direction. Landing the right book deal . . . then following through with perfect timing . . . helps. Y'know, when they pick you to write a bio on a presidential "power horse" . . . it really bodes well for your career. Enjoy the ride.

64.Zap-Gram -> 11-3-99 (a.m.) -> A standing ovation. A workshop participant ('96) is now teaching his own film course. This "auteur" truly has a heartfelt passion for cinema. And it shows. He knows how to relate to the young up-and-coming filmmakers. Two of his students just topped out in the National Children's Film Festival, i.e., they won the Creative Excellence Award. Amazing stuff.

63.Zap-Gram -> 10-18-99 (p.m.) -> A round of applause. A workshop participant ('96) was just notified that he made the semifinals in The Writer's Network Screenplay Competition. Hey, this guy is hot. He's had a handful of competitions validate his superior storytelling ability. Yeah, and that's probably why he landed a WGA agent so darn quickly. Also, a production company is presently reading one of his scripts . . . which means he's being considered for a possible development deal. Plus, he's a nice guy . . . a caring soul. He shares his talent with others, i.e., he's helped numerous screenwriters plow through their rewrites. Truly, this guy's blessed with positive karma.

62.Zap-Gram -> 9-29-99 -> Hoist a toast. Lower the gangplank. Run a flag up the flagpole. We salute you. Super congratulations. A workshop participant ('98) just won the 1st Place Prize in the 1999 Hollywood Symposium First Annual Screenplay Contest. This means his screenplay beat out 366 entries, and he won the top cash prize of $1500. Hey, it just goes to show . . . that if you pay your dues, if you fight the good fight, if you keep the faith . . . someone in Hollywood will recognize your talent.

61.Zap-Gram -> 9-28-99 -> High-five. A workshop participant ('97) has come back from the Big Apple with enhanced oomph. This guy is truly eclectic, i.e., a writer-director-inventor. He teamed up with another creative soul, and they've developed a cutting-edge blend of what some might call freehand CGI/digital . . . which sorta looks like animation. And guess what? Austin's own Richard Linklater (of SLACKER fame) -- is incorporating this new process in his next indie titled: WAKING LIFE. Oh, wow, man. Talk about a convergence. Can't wait to see the final cut.

60.Zap-Gram -> 9-25-99 -> Check this out. A workshop participant ('96) just sent in an update on his screenwriting career. Besides being named a finalist in Scriptapalooz this year, he also had a script named "noteworthy" in the 1998 Slamdance competition . . . was a semifinalist in the 1997 Chesterfield competition . . . was a quarterfinalist in the 1997 Writer's Network competition . . . and had a staged reading of one of his screenplays via the 1997 Austin Film Festival. Hey, c'mon. Stay in touch. Even if you pick up and move your tent, it's always nice to hear the good news, y'know?

59.Zap-Gram -> 9-13-99 -> 1) Kudos. A workshop participant ('99) just landed a Hollywood agent. First, a production company hinted at buying the script . . . but then the deal fell through and as a consolation prize . . . the screenwriter nabbed the WGA agent. Hey, everyone likes a well-written comedy, y'know?

2) Do-si-do kudos. Another workshop participant ('96) has a possible deal pending with a Texas production company. But, like, don't hold your breath. This guy didn't sound too hopeful that the deal would go through. So what's new, huh? Par for the course, right? In any event, this writer knows how to "play the game." After showing off his wordsmithing ability in the workshop . . . he got into USC's special 2-year program. Small world, huh?

58.Zap-Gram -> 9-4-99 (a.m.) -> Cool stuff. A workshop participant showcased his innovative talent on John Pierson's SPLIT SCREEN via IFC/Bravo. Hey, if ya got it, ya got it, y'know? And this guy just landed some ITVS funding, too. Major coup.

57.Zap-Gram -> 9-3-99 (p.m.) -> Congratulations are in order. A screenwriter was sent a complimentary letter from the Austin Heart of Film Screenplay Competition. To quote his e-mail: "They informed me that my script did advance to a second reading and was therefore in the top ten percent of scripts they received." Not bad, huh? This was for his first screenplay. And now he's putting the finishing touches on his second script. Can you believe he didn't want to open the notification from the contest . . . fearing that the news might zap his momentum? Is this guy a dedicated screenwriter or what? Anyway, that's what it takes to get up the ladder. Hang in there.

56.Zap-Gram -> 9-2-99 (p.m.) -> Take heart. Was told that the Austin Heart of Film Screenplay Competition continues to wade through scripts. One reader recently found a "quality" screenplay which had been passed over by a "preliminary reader." Conversely, if you haven't been notified . . . this does not mean that you've made the cut. The process is simply taking a bit longer than expected. Good luck.

55.Zap-Gram -> 8-23-99 (p.m.) -> Austin Heart of Film has begun notifying writers. Screenwriters in Austin, Texas, have received rejection letters. But it appears that this is a staggered notification because some writers haven't been told their status. Good luck.

54.Zap-Gram -> 8-20-99 -> Take a bow. A screenwriter was just notified that he's a finalist in the Hollywood Symposium First Annual Screenplay Contest. There were 367 entries. The notification didn't specify when the winners would be announced.

53.Zap-Gram -> 8-17-99 -> Congratulations. A workshop participant made the finals in the Scriptapalooza 1999 Screenwriting Competition. His screenplay landed him at the top of the list. Knock 'em dead.

52.Doc's advice -> 8-11-99 -> Jump-starting a screenwriting career does not happen overnight. A first screenplay rarely generates studio "heat." Screenwriting is like any other art form. It takes years to learn the proper craft. Making it look easy . . . is not easy. You need talent, determination, and luck. Gotta pay your dues. Having known a handful of contest winners . . . the one thing they have in common . . . is that it has taken them years of hard work to understand the nuances of "the game" . . . in that most winners have plugged away for 3 or 4 years . . . have written 4 or 5 screenplays . . . before recognition knocks at their door. So keep an open mind. You must be willing to grow, to learn, to struggle . . . in order to survive the many years of rejection. Don't be sucked into the hype. Instant success rarely ever happens.

51.Zap-Gram -> 7-30-99 -> Was told that the Austin Heart of Film Screenplay Competition had roughly 3100 entries. Of special note is a new submittal category. 792 screenplays were entered as comedies. Not bad odds. Funny stuff is hard to write.

50.Zap-Gram -> 7-29-99 -> Correction/addition on the Terry Malick project. Some Hollywood sources state that Malick's next project won't be an adaptation of John Kennedy's A CONFEDERACY OF DUNCES . . . but rather the movie version of Walker Percy's THE MOVIEGOER. Either way, the lead is supposed to be Tim Robbins. Confusing stuff. As always, the Malick tribe is hush-hush.

49.Zap-Gram -> 7-26-99 -> Nicholl has notified its quarterfinalists. There were 4,150 entries. Out of that huge onslaught . . . only 244 writers made the cut. That's 5.88%. If you're one of the "lucky" ones, it proves you're doing something right. Enjoy.

48.Zap-Gram -> 7-23-99 -> We salute you. A writer's miniseries just won an Emmy nomination.

47.Zap-Gram -> 7-18-99 -> A correction on the congratulations. A writer was notified that his screenplay moved to the FINALS in the 1999 Southwestern Writers Conference Screenplay Category. In other words, his screenplay made it into the top twenty and has a shot at winning the contest. To quote the contest info: "The winners will be notified by the end of July."

46.Zap-Gram -> 7-17-99 -> Congratulations. A writer was notified that his screenplay moved to the semifinals in the Southwestern Writers Conference.

45.Zap Special -> 7-7-99 -> 1)Carlos Avila's next movie is PRICE OF GLORY with Jimmy Smits. There was a rough-cut screening . . . and the buzz is good. If you remember, Carlos directed DISTANT WATER and LA CARPA.

2) Was told that Austin's (close enough) Terry Malick is shooting an adaptation of John Kennedy's novel -> A CONFEDERACY OF DUNCES . . . in New Orleans with Tim Robbins. Backstory: Lots of filmmakers have tried to make a movie out of this wonderful story. A few years ago, someone mentioned that Steven Soderbergh had the rights to the property . . . was pushing for a "knock-your-socks-off" script . . . as had many before. Where is THE MOVIEGOER -- Walker Percy -- when you need him, huh?

3) Austin's Robert Rodriguez's next project might be SPY KIDZ . . . and it might have special effects . . . and it might shoot in Austin.

44.Zap-Gram (6-25-99; p.m.) -> Congratulations. A screenwriter was just notified that his screenplay moved into Phase Two of the 1999 Carl Sautter Memorial Scriptwriting Competition. This contest offers screenwriters a copy of their "reader evaluations." The writer was impressed by the reader comments.

43.Zap-Gram (6-21-99) -> Here's the ACT III climax for Texas screenwriters/filmmakers. Governor Bush signed HB 1687 (the Texas Film Industry Development Loan Guarantee Program). Was told the final details will be worked out by September. Bodes well for low-budget screenplays which are Texas-friendly. (For the original analysis -> click on -> "VIP.info" -> then click on -> "in.MANTRA (1).")

42.Zap-Gram (6-18-99; p.m.) -> Perk up. Word is . . . Governor Bush will make his decision on HB 1687 (i.e., the Texas legislation to guarantee film funding) . . . on or before this Sunday, June 20. The buzz is good from Austin locals. But they could be wrong. Government insiders aren't offering a yea or a nay. They say that the Governor: "Will make his own decision." Note also that there are roughly 1200 bills pending. Hopefully, this Web site will have an update by Monday or Tuesday as to the final status of HB 1687. (Click on -> "archive ('99)" for the original scoop.)

41.Zap-Gram (5-24-99; p.m.) -> Great news. Hold onto your cowboy hats. The Texas legislation to guarantee film funding (HB 1687) has passed the Texas Senate.

What this means is -> Governor Bush can either sign or veto the bill . . . or he can take no action. If he takes no action, then the bill "becomes law by default." In other words -> one more plot point to go. Texas screenwriters and filmmakers . . . think good thoughts.

40.Zap Special (5-10-99) -> You may find typos in this Web site. Sometimes when the info is rushed to publication . . . late at night . . . there can be a proofreading glitch.

And, as you may know, typos in screenplays are also common. Unavoidable. But if a screenwriter allows major style and grammar flaws to clutter a script . . . this does not bode well for success. There are no excuses for bad format.

Doc's advice -> There are many screenwriting contests. But please realize that they are not all equal. If one enters Nicholl, Disney, Austin Heart of Film, Chesterfield, and CineStory . . . and if one truly has a wonderful script . . . then even though a good script may get overlooked in several contests . . . out of these five major awards . . . you should get some positive feedback if you've written a "hot" story.

Conversely, it is not recommended that a screenwriter spend time and money chasing numerous contests. Some of these offerings aren't valid vehicles into "the business." But if one does get recognition in one of the top five contests . . . then that's a solid validation of superior writing.

Good luck.

39.Zap Special (4-29-99) -> Wow. Amazing news. Today the Texas Film Development Act (House Bill 1687) got a thumbs up in the Texas House of Representatives (info on the original scoop is listed below). Word is . . . the bill passed without a fight. But hold the celebration. It still has to get through the Senate . . . which may take another month before final approval. The backers of the bill are advising that there may be opposition in the Senate. Keep you fingers crossed, Texas filmmakers.

38.Zap-Gram -> Wed. -> 4-7-99 -> The Texas film-funding legislation has passed out of committee . . . appears to be headed for debate. (Click on -> "in.MANTRA (1)" below.)

32.Zap-Gram -> Friday -> March 12, 1999 -> Doc recommends -> Richard Walter's "Screenwriting: The Art, Craft & Business of Film & TV Writing." Solid craft tools.

Formatting advice -> Think low density . . . i.e., use plenty of white space. Don't "over-write." Stick with simple sentences.

A good story has a smooth flow . . . a "hot" screenplay has an up-front hook per dramatic interaction.

Don't clutter your work with fancy adjectives or too much detail.

Less is more. Don't try to impress the reader with your wordsmithing ability.

Professionals "under-write" . . . amateurs "over-write."

Sign up for a screenwriting workshop.

Seek -> advice . . . listen to feedback.

Remember -> Don't take it personal. "It's just business."

31.Zap Special for Thursday -- March 11, 1999.

How does a struggling screenwriter . . . juggle quality time between one's "real-world" life . . . and one's "reel-world" persona?

Good question.

Doc's advice -> it's not easy.

Try.

30.Zap Special for Tuesday -- March 9, 1999. For "in-sight" (i.e., guru analysis) of the legislative bill (HB 1687) . . . which proposes to offer loan guarantees to Texas filmmakers -> click on -> "new.stuff" . . . then click on the "blue-green star" at the bottom of the page . . . which will pop you into "in.MANTRA" -> the internal location for extra-long items.

29.Update for Monday -- March 8, 1999.

The first 13 pages of a screenplay are extremely important. The low-level readers at the national contests (in many cases) . . . are not actually required to read your "whole" script, i.e., if your Act I is flawed . . . the readers are allowed to bail out of the read . . . per inner-office directive . . . or may do so on their own and fudge the fact that they didn't read the whole script . . . simply because they have too many "bad" scripts to read.

Therein, if a screenplay doesn't have a professional format . . . or if the story doesn't establish an up-front hook . . . or if the dramatic structure is not clearly defined . . . then the odds are against the script being favorably covered.

28.Zap Special for Friday -- March 5, 1999.

"Screenwriter-friendly" -> South by Southwest Film Festival (www.sxsw.com) . . . ZOOM IN . . . filmmaking panels . . . Billy Bob Thornton, Mary Stuart Masterson, Robert Rodriquez.

"Screenwriter-friendly" -> "The Austin Chronicle" (www.auschron.com) . . . for SXSW Film coverage . . . Marjorie Baumgarten's "Short Cuts" . . . is . . . there. -->

27.Update for Tuesday -- March 2, 1999.

Breaking news for screenwriters in the Lone Star state. An unidentified source reports that a funding package for film independents . . . "could" be easing through the legislative session.

At this posting . . . unable to confirm the particulars of the possible funding parameters -- but the "buzz" sounds viable. With Gov. Bush (Texas) -> in hot pursuit of "higher" office . . . with a huge budget surplus in Austin . . . the lobbyists are in the driver's seat . . . and a push "might" be on to grab "film-friendly" greenbacks.

Watch the media for upcoming details.

26.Update for Tuesday -- Feb. 23, 1999.

With so many contests looming . . . there's a push on to get the "fresh ideas" in shape for this season.

Doc's advice -> Don't get sucked into the hype. Don't enter a major contest unless you have a truly remarkable screenplay. There are too many excellent writers chasing the dream to hit pay dirt on a whim.

In other words . . . don't let the overworked "readers" put a label on you . . . don't let 'em enter your name in their "avoid" file.

Hold back. Get feedback -> Let the story age before you toss your brass brads into the slush pile.

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Doc's advice -> click on -> "screenwriting" below.

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