archive (2):

The "cat" has saved vital info from 2002 thru 2008.

Click on -> "archive (1)" -> to review 1999, 2000, & 2001.

Doc's advice -> If you're rushed for time -> click -> "1.success."

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119.Zap-Gram -> 5-26-08 ->

1) A few months back, a workshop alum from the ‘90s contacted us with an update on his writing career. Here’s an edited version of the good news: “I write for and am a story editor for a [. . .] sitcom [. . .] that currently airs on TBN (Trinity Broadcasting Network) [. . .]. Three episodes I wrote will air for this Season 3 and Final Season [. . .]. One just aired this past weekend. In Season 2, one episode I wrote aired. [. . .] Currently, I'm writing for a [. . .] series [. . .] that'll air on TBN's Smile of a Child children's channel. I've also filmed a pilot to my reality TV [. . .] show and hopefully will get that picked up this year. That is my passion right now.” Oh, wow. A big congrats. If anyone deserves having their pilot picked up, it’s such a talented writer with a strong sense of social responsibility. (True to yourself.)

2) And speaking of a few months back, around that same time we'd also heard from a doctored screenwriter-producer who'd sent us a heads-up in regards to his new feature that’s set to roll camera. He wrote: “Hard to believe, but the first round of casting for my horror script [. . .] was held yesterday in NY.” Talk about connecting with project after project. Let’s hope the deals continue to fall into place. (Indie wildcatter.)

3) Being honored for one’s body of work is always a grabber. So when our 4-time 8-week workshopper (known for her great feedback in class) . . . was duly acclaimed for her indie filmmaking as a writer-director-producer-actor in Dallas back in February, of course this news got our attention. Now, um, having one of her productions airing repeatedly on the Black Entertainment Television network was a telling coup, also. Plus, that insightful newspaper profile covering her career, which included a personal photo (such a smile) and had that moving publicity shot of her family documentary, was inspiring. We suspect the accolades will continue. (And such a cool nickname, too.)

4) Yes, we’ll cop a plea. We should’ve reported this months ago. Mea culpa. Indeed, back during the holidays at the end of last year, we were lucky enough to view an amazing short by one of our wonderfully talented writer-producers. She really has the goods. And when such a talent can bring an offbeat musical story to life with compelling vigor, we are compelled to applaud with a standing ovation. Knockout stuff. Viral. (Warmest regards.)

5) A workshop participant (known for her encyclopedic knowledge of film and open-to-change talent) notified us that she was: “. . . completing [a] romantic fantasy script for contest submissions. Ten production companies have read [the script I developed in your workshop]. Diablo Cody heard of it via the Austin Film Festival. She requested a copy to read when she was touring last year. [. . .] Also, a former CBS cameraman in Europe was interested in acquiring it. [. . .] I’m rewriting it as a play similar to “Greater Tuna” if you recall that Austin play. I did several scenes with a local actors’ workshop this year. It was well received.” Hey, that’s a stageplay we would really like to see. Compelling stuff. Always a pleasure. (A piano player.)

6) So -- what’s up with our super talented alum/phenom who signed with CAA and then quickly inked two studio deals at the amazing age of 24? Well, a few months back he wrote us that: “. . . Things here are well. Getting started back up on the DreamWorks gig, and will probably get commenced on another draft of the spy comedy for Universal. So, things will certainly be busy in the coming weeks. Also had time to put some real thought into a spec idea we've had for a while. Hope to get that going soon, as well.” Yes, with the writers’ strike fading in the rearview mirror, things do appear to be getting back to business as usually. (“Rare” is, indeed, the optimal word.)

7) Earlier this year we heard from one of our multitalented alums (’96) . . . a warmhearted Texan with quite a diverse resume as an artist/actor/writer. He wrote us that he’d: “. . . been cast for a supporting role in an independent feature-length film [. . .] and they're flying me to Denver [. . .].” Impressive. And then when we checked back with him after the movie had wrapped – he did, in fact, confirm that the Colorado shoot had been a truly enjoyable experience. Whoa. And between his movie work, TV commercials, book illustrations, and trying to find a publisher for his novel . . . this is one hell-of-a-busy Texan. (A true original.)

8) A number of years ago, we couldn’t help but notice that a certain workshop participant would attend class wearing a beret. Well, that fashion statement was, in fact, a telling clue as to his future as a filmmaker . . . because this “auteur” writer-producer has recently rolled camera on his newest project, a well-cast indie in Austin. And from the local buzz, we predict that such a handcrafted film will garner some well-deserved attention via the fest circuit. (Summer treats.)

9) Now we’re talkin’. A repeat workshopper premiered his script-winning short in Bastrop. Wait, Bastrop? Yes, Bastrop, Texas. For those in the know, there is this “in” group of filmmakers who are nesting in this small Tejas town (which is only a stone’s throw east of Austin). And, as we understand it, this savvy creative group is hoping to carve out a production niche as “the” film-friendliest place to shoot your short film. Oh, did we also mention that the producer on this project was another one of our alums (i.e., she was a well-published author way before she began pursuing screenwriting). (A-town networking.)

10) And since we’re referencing Bastrop, yet another workshop participant landed a production gig with a feature film that will be directed (and also was penned) by that famous Hollywood director-screenwriter who -- way back in the ‘90’s -- fenced in his getaway spread (ranch) in Bastrop . . . way before the little town was even on anyone else’s radar. Anyway, it seems as though our alum (who’s a talented writer with an MFA) is diversifying her skill set. (A fun movie title.)

11) A postcard from the spacetime continuum. Here’s a big congratulatory shout-out to an old friend who has a huge blockbuster coming out on July 2nd. With one of the hottest superstars in the lead role, it doesn’t get any better than this (for an A-list screenwriter). Can’t wait to see this movie. For anyone who’s a fan of the superhero genre, this will be a must-see event. (And now you’re a producer.)

Pour on the butter, turn down the lights, and roll the credits. That’s a wrap.

118.Zap-Gram -> 11-28-07 ->

1) Earlier this year, a workshop alum’s indie thriller was released on DVD via Amazon.com, Blockbuster, and Wal*Mart. Also, as we understand it, there’s the possibility that it might soon make it to TV. Impressive. Note: This film was shot in Austin and was written and directed by one of our ex-students (i.e., a guy who’s known for his strong passion for film, both here and in Bollywood). {House in the suburbs.}

2) Back in August, before the WGA strike kicked in – our Hollywood phenom informed us that he was, at that time, finishing up the second draft of his spy project for Universal and was moving forward on another “gig” (a comedy based on a TV series . . . which was being developed by a brand-name director vis-à-vis DreamWorks). But, of course, now all such work has stopped due to the strike. But luckily, before the strike ensued . . . our scribe was able to escort his associate-producer girlfriend to the premier of her major motion picture (that was released to strong reviews) . . . with the paparazzi snapping away as they walked down the red carpet. (Solidarity on.)

3) At the end of August, a workshopper from a number of years ago was interviewed on ABC’s “Nightline” in regards to presidential politics and our ex-student’s telling book about a certain someone who’d been excused from jury duty (per a drunk-driving case of roughly 20 years ago) via the assistance of his then lawyer (a lawyer who eventually was appointed to the post of Attorney General). (“Dance with who brung ya” – indeed.)

4) With the well-deserved swagger of a proud parent, a doctored screenwriter recently published his first novel (which can be found on Amazon.com). And, in all truthfulness, the artwork on the cover sorta reminds us of a Grisham crime thriller. Yes, indeed. (Cross your fingers.) Plus, the opening page has a killer hook that handcuffs the reader into turning the page (so to speak). And such a smooth flow. (New braces, anyone?)

5) Having received positive feedback from the Austin Heart of Film Screenplay Competition, a workshop alum then grabbed the brass ring when her script was named runner-up in the Pacific Northwest Screenplay Contest. And wow, that’s such a grabber because this was the very first full-length screenplay that she’d ever written (having developed it in our 8-week workshop). Plus, her caring personality, strong workshop/people skills, and super savvy knowledge of film . . . truly impressed us from day one. (Going with the commercial concept was sheer genius.)

6) Talk about a web of connections. Our writer-director-producer (who, earlier this year, was covered in “Essence” magazine) – has a new documentary in the can that is now awaiting release. And it seems, per a few helpful introductions, our 4-time 8-weeker was compelled to include another one of our workshoppers (a best-selling author) in her film, and she also hired another alum’s husband to be the music supervisor on the project. (Starbucks?)

7) A workshop alum (from the ‘90s) assumed the title of co-producer on a short (which was scheduled to go to camera earlier this fall). Now, to be blunt, we were initially totally surprised by this news . . . until we remembered that this wordsmith had an MFA in creative writing and that the script was based on a short story. Oh, okay. That makes sense. (Louisiana connection.)

8) Lastly, remember that talented alum of ours who was awarded that $5000 fellowship to UT film school? Well, she e-mailed us (a few months back) that one of her scripts had garnered a “consider” via the AAA Teleplay Contest. Hey, it’s always nice to hear the good news. (Not one to put all the eggs in a single basket, eh?)

9) P.S. We don't know all the particulars (and but a few details), but an intriguing piece of info appeared vis-a-vis our in-basket earlier this fall in regards to what must be our most highly active (via info networking) workshop alums (i.e., someone who's truly established herself as the go-to nexus for Austin filmmakers; and, of course, is well-deserving of her near famous acclaim) . . . in that, it seems as though Robert Redford's people have engaged her to assist them with one of their projects. KA-BANG! (That's what we're talking about.) Yes, it sounds as though someone will need to snag another table at that outdoor music venue . . . and then corral some extra chairs for a larger room at Guero's (one of our favorite places to eat in Tejas). (Sundance on.)

Gobble-gobble. ‘Tis the season. Joy and happiness to all.

117.Zap-Gram -> 7-30-07 ->

1) Shifting gears, a workshop alum (a credited writer-director-executive producer) . . . inks a deal to co-produce an indie film starring Tony Sirico (THE SOPRANOS) and Morgan Fairchild (DALLAS). With a $1.5 to $3 million dollar budget ("The Hollywood Reporter" favors the lower estimate) -- we can only assume that the snow cones which will be consumed on this shoot will be exceptionally tasty. (Legalese.)

2) And since we're on the subject of shifting gears, a repeat workshop alum (known for her savvy people skills) . . . has also assumed the role of producer per developing a project to be shot in London. Plus, earlier this summer this talented writer published her first novel. Oh, it has a husband-hunting theme and is set in Dallas. (Tied the knot, uh-huh.)

3) And speaking of producing, a doctored screenwriter (from a couple of years ago) . . . has taken on the role of co-producer via a Texas indie. With camera rolling earlier this summer -- this film has a strange edge to it, mixing good-ol'-boy/in-the-woods hunting with a somewhat clownish theme. Plus, this in-play screenwriter (who'd previously inked a pitch deal in Hollywood) . . . also has a script under consideration at an LA prodco . . . that's already garnered interest from Drew Barrymore, Diane Lane, and Reese Witherspoon. (Not a dry hole.)

4) And since we're on the topic of books, our sports-genre workshopper (know for his boxer-like determination) . . . grabbed an option deal on a new feature which he'd adapted from a book. Yes, indeed. Yet another credit for the ol' resume. (Chow mein?)

5) Referencing yet another career update -- our CAA-reped Hollywood phenom continues to juggle numerous studio projects. This spring he wrapped up the producer's pass on his new "spy" script . . . which he said: "They love it . . . It's a great project." While, at the same time, he was also pitching a Will Ferrell storyline. (Cool digs, huh?)

6) And another workshop participant (known for his quirky POV) . . . has written a hot new short which just rolled camera in Austin. Expect to see a number of twists and some spilled blood, too. Can't wait. (Downloadable.)

7) Homage. A talented workshop alum (from the '90s and who now has numerous screen credits) . . . was made acutely aware of the fact that a feature film can't even reference Oprah (even if the screenwriter-producer was only attempting to do so with the best of intentions). The plug was pulled. (Live and learn.)

8) And speaking of talent, a workshop alum (known for her heart of gold) had a June fundraiser to help expand the budget for her new short (and which proceeded to roll camera in July) . . . but, um, at about this same time, there was some mix up in regards to her feature script (which Willie Nelson had previously signed a letter of intent to star in). Anyway, this tiny brouhaha seems to have been clarified. (She truly has a great ear for dialogue. Camera on.)

9) And hey, remember that talented two-time workshop alum who grabbed a scholarship to UT film school's master program not long ago? Well, she writes: ". . . I just landed my first 'paid' writing gig. I'm rewriting a director's script, who is in the process of finding funding." And between that deal and a few other writing projects at various levels of development, it sounds as though she's sorta-kind-of busy. (TA on.)

Tie up the bow. That's a wrap.

116.Zap-Gram -> 4-11-07 ->

1) Our "get-it-done" workshop alum (who's been the director/co-executive producer's assistant on NBC's FRIDAY NIGHT LIGHTS) . . . continues to impress. He recently interviewed for the job of producer's assistant on Julia Roberts' new movie FIREFLIES IN THE GARDEN, and he's also in line to work on yet another feature during FNL's hiatus. (And yes, the insiders are betting that FNL will be picked up for a second season.)

Anyway, our can-do writer-director was given the task of shooting an FNL ". . . behind-the-scenes documentary on the final episode. From the prep to wrap . . . something . . . fun and unique." And he went on to say that, "With any luck this [doc] will end up on the season 1 DVD. That's the goal."

And it seemed to have worked because yesterday Universal flew him out to L.A. to do the final cut on the footage that he shot.

But there's more.

Right before he left town, his willingness to give it that extra effort per an unexpected last-minute assignment -- also paid off big-time vis-a-vis a confirmation from the FIREFLIES' producer that he'd been hired for the new gig. (Such a team player, and such an honest guy. Hope you'll have time to say "hi" to our other alum.)

2) Another workshopper (who writes almost letter-perfect scripts) . . . is in the process of shooting a highly stylized HD short, which she penned and is executive producing. What a lucky cast . . . because this impresario has such a dead-on ear. And yep, we know it's gonna "wow" . . . and "WOW" some more. (News 8 Austin, was it not?)

3) Help us out here? Whose picture did we see on page 86 of the March issue of "Essence" magazine? Oh, right. That was our camera-toting alum who was able to morph a $250 short that she wrote-directed-produced into a possible $100,000 distribution deal. No wonder she grabbed some well-deserved national attention. "Renegade aspiring filmmaker" -- indeed. (Always a kind word.)

4) Last summer another workshop alum (a producer-director) had a screening of one of his shorts at the New York Independent Latino Film Festival. And such cool stuff, too. The buzz is that he'll soon be rolling camera on a feature. Another comedy. Should be darn interesting. (Genre on.)

5) And finally -- our pop-savvy alum who's now enrolled as a grad student in UT film school . . . may have a scoop for us this summer. We're hopeful she'll let us disclose the specifics when the camera rolls on a short which is based on one of her hot scripts. She writes that: "I can't thank you enough for all your help. I definitely feel like my life's on the right track, and I'm optimistic about the future. It's nice being able to write all day and make up stories. Thank you!" (Oh, shucks. It weren't nothin'.)

Tie up the ribbon. That's a wrap.

115.Zap-Gram -> 1-11-07 ->

1) Twofer. One of our more illustrious workshop alums (from the '90s) continues to impress via a busy production schedule. In November the Lifetime Movie Network had a premiere of a show which was based on one of her original scripts. Sharp stuff. But there’s more. A budding Austin studio recently wrapped a low-bud shoot on another one of her many feature scripts, i.e., a comedic horror. Spooky stuff. (Such a people person.)

2) NYC. A multiple workshopper (known for her warm personality) sliced a small piece of the Big Apple with a vintage short, which she wrote and directed. Last October, at the African American Women in Cinema (AAWIC) Film Festival , this dedicated filmmaker garnered the Audience Favorite award. (No more 9 to 5, huh?)

3) NYC, too. Travel companions. A highly talented workshop participant from last year also attended the AAWIC, and she proceeded to win an award for her warmhearted feature script, which she’d developed in our 8-week course. (Congrats.)

4) Roll that camera. Another alum has a shoot scheduled at Austin Studios (a stylistic short). And, y’know, we suspect that this isn’t gonna be one of those cheapo rush jobs. No way. Indeed, the title says it all. (A hand-me-down set can, in fact, save a bunch of money.)

5) Acting bug. A workshop participant from a number of years ago (has it really been that long?) grabbed a screen credit on the Fox TV series PRISON BREAK . Hey, who said actors don’t know how to pitch ideas, huh? (Musical.)

6) Last fall our remarkable 26-year-old phenom/workshop alum made “Variety” yet again. The magazine published the particulars of his most recent deal with Universal Studios. (Way.)

7) Contest news. Before the holidays we heard from that determined New Yorker whom we’d hooked up with an option/director a few years ago. (What’s up?) Anyway, this MFA connoisseur recently made the quarterfinals with two scripts at the Screenwriting Expo. (Good advice?)

8) Finally, a workshop alum who really impressed us with his cutting anti-hero feature -- wrote a short which won Best Comedy at the Gulf Coast Film Fest. Can-do kudos. (And yeah, so true.)

Put a bow on it. That’s a wrap.

114.Zap-Gram -> 9-29-06 ->

1) Network prime-time gig. One of our writer-director workshop participants recently informed us that he’s: “Currently working as [the] Director/Co-Executive Producer’s Assistant on NBC/Imagine’s FRIDAY NIGHT LIGHTS.” (Y’know, that Texas high school football saga {based on the popular book} which is being shot in Austin.) He also said that his “. . . last short just won the Audience Award at the Film Fest in Houston.” (A career to watch. Double cab on.)

2) More TV news. Our in-play workshop participant who can kick-box with the best of ‘em -- wrote us earlier this summer that he was negotiating “a creator and head writer gig based on a TV series [which he’d] pitched to a NY company.” Wicked. Talk about the brass ring. (Dinner tab?)

3) Feature work. Our highly talented 25-year-old phenom/workshop alum who’s repped by CAA wrote us that: “Things here are very well. Sold a spy action/comedy to Universal [with a name-brand director attached]. Should be officially a done deal as soon as we sign the contracts. Started writing that now, along with the next draft of a [paid for development deal] for Paramount. Loving going to Dodgers games, etc. CAA even gave me 2nd row seats one day game, and I sat literally right next to Mr. Warren Beatty and his lovely wife.” Hey, isn’t life so darn good when one can make a living doing what one loves to do, huh? (Texas hold ‘em. All-in.)

4) Meaningful shorts. Hold the zoom lens. One of our advanced workshop participants garnered some international interface this summer via enrolling in a film program in Florence, Italy. (Bilesimo.) And then when she got back to the states, her new short made the top ten in Paste Magazine’s Online Fest. Cute stuff. Echoes of THE LITTLE RASCALS. (Coffee-shop fun.)

Tie up the tamale.

113.Zap-Gram -> 7-2-06 ->

1) A workshop participant known for his joyous people skills -- attended the Austin premiere of A SCANNER DARKLY. And being a producer on this Richard Linklater movie (which stars one of our favorite actors, i.e., Keanu Reeves) . . . this warmhearted guy highlights his unique cutting-edge talent as one of A-town’s hot filmmakers. (Tech friendly.)

2) Another workshop participant from the ‘90s generated yet another level of career heat. This summer she has a movie going to camera up in Dallas. (And such a cool title, too.) She’s credited on this project as a co-writer. Y’know, talk about staying busy. (Birthing a new studio.)

3) Our Mr. Knockout Puncher (a workshop participant known for his crime-solving expertise) -- wrote us earlier this year that: “. . . our film THE THIRD DEGREE won first place in the [2006 WorldFest-Houston Film Festival].” That’s the grand prize Platinum Remi Award. And he goes on to say that: “I personally won first place for best script.”

But wait, there’s more. In June he also informed us that: “I was just hired to rewrite a script which is set for production in the near future. A horror flick.” He then clarified by stating that this deal was the second “horror” he’d been involved with, in that he’d optioned his first horror spec a month before. (Fortune cookie.)

That’s a wrap.

112.Zap-Gram -> 4-4-06 ->

1) So darn busy. Our remarkable 25-year-old phenom (who nailed two of our 8-week workshops, and who's now repped by CAA) . . . checked in earlier this year with a career-news update. Last October he'd turned in a first draft which had garnered a "producer pass . . . then it went into the studio, who was very happy with it. Lots of fun to write . . . ."

He goes on to offer details on his most recent screenplay and says that: "Everyone at Paramount's very excited . . . [and that it's] nice to get back to some straight comedy." And when he contacted us, he was also in the process of meeting with directors on a hot script which he'd optioned last year . . . plus he still had "to fill his blind deal with Warners."

Yow. A feast with no famine. His plate truly overflows with bounty. And he's such a nice guy, too -- well-derserving of his success. (Nutritious foods?)

2) Earlier this year our workshop alum working with Lucas at ILM also sent us an update on his "always-hectic" career. Seems that the overtime was hot and heavy on PIRATES OF THE CARIBBEAN 2. But hey, in CGI special effects, isn't this the norm? Y'know, these talented guys really do put in the hours. (A home-coming vacation?)

3) Having "secured international distribution" via directing his first feature film, an 8-week workshopper from 2003 is proceeding forward with the development of a new horror script . . . and he's also hoping to grab a domestic deal on his in-the-can indie at the, um, Cannes Film Market this year. Yes, indeed. This entrepreneurial auteur is also a savvy producer, in that he's wise enough to seek feedback from a variety of sources before locking a script. (Ahead of the curve.)

4) Wait. It gets even better. Remember that hardworking workshop participant who showcased her talent in two of our 8-week intensives last year. Well, not only was she offered a Michener RTF fellowship to attend UT's MFA program in screenwriting this fall, but NYU film school also offered her a $7500 fellowship . . . plus she had a "wonderful" interview at UCLA film school last week and was told that she's in the running for one of their highly-prized slots (one of only 24 available) in the MFA screenwriting program . . . and she just received an offer from USC. Talk about a tough decision, huh? She writes: "Thank you so much for everything you have done for me. I feel so incredibly lucky to have stumbled across your workshop. You are an amazing teacher, and I couldn't have done this without you!" (Such talent.)

5) More good news. Our multi-tasking writer/director/ producer/lead-actor who nailed that 13-minute short which wowed us earlier this year . . . informed us that her film was accepted into the Austin Women's Film Festival. (Applause.) Dare we repeat what we've said before? This 3-time 8-week alum knows what she wants and has the determination to attain it. (So honest; so positive.)

6) And finally -- another one of our alums (a director-producer) . . . shared his biz insight per being a guest panelist at the SXSW film fest this year. The offering was titled: "Latin Filmmaking's Emerging Talent." And so true. (Up-and-coming.)

111.Zap-Gram -> 1-23-06 ->

1) Yes, it’s true. Hard work pays off. Per taking two of our 8-week intensives last year, a workshop participant proceeded forward with her grad-school applications in order to pursue a master’s degree in film . . . and was quickly rewarded with a fellowship offer. She writes: “I just wanted to tell you that UT’s film school just accepted me with a $5000 fellowship. Thank you so much for your guidance . . . I couldn’t have done this without you.”

But wait. There’s more. In December this highly talented screenwriter wrote us that she’d also landed an internship at a hot prodco. We’re so proud of her. (Cool Gen-Y and good with notes.)

2) Lucky us. Last week we screened a 13-minute short handed to us by a 3-time 8-weeker. Whoa. This do-gooder workshop participant has expanded her skill level into the role of producer-director and lead performer . . . and, of course, credited screenwriter. “Wow” was the word that said it all. Indeed, for its modest budget, her short delivered on all cylinders, i.e., a home run in production values and “method” emotion. Plus, when she said that she’d recently landed a well-paying part in a TV commercial for a national brand name . . . oh, man. There are no doubts. Career, career. So we fully expect the good news to continue coming her way. (Irons in the fire.)

3) Another one of our writer-actor alums (known for his sharp intelligence) . . . showed off his acting chops in front of the camera on “A Scanner Darkly.” Hey, everyone likes this guy. A compassionate soul. (Who knew?)

4) A workshop participant from a couple of years ago, functioning as writer-producer-director on his first feature . . . was accepted into Cinequest. Good luck with the new project. (Austin buzz.)

5) Having worked as a theater director, a determined workshopper (who delivered some amazing scenes in our 4-week and then continued into our 8-week, writing his first feature) . . . made the quarterfinals in the 2005 Slamdance Screenplay Competition. (Indie-ville.)

6) Last week in a script-doc notes meeting -- we learned that one of our 8-week alums had landed a WGA agent vis-à-vis the feature script which he’d developed in our fall 2004 workshop. Dare we say this savvy heavyweight has moved his talent up several levels with his new, highly commercial big-budget script. (Money-making genre.)

7) Non-debatable. A doctored screenwriter from the ‘90s, a guy known for his intense focus . . . made the Austin Film Festival screenplay finals. And since our interface was so long ago, of course this wasn’t a script/genre which was familiar to us . . . but it was one that’s been on the local radar for a number of years. (Ph.D. on.)

8) Lastly -- one of our doctored screenwriters grabbed some recognition per WinningScripts.com and also generated heat as a top-10 finalist in A Feeding Frenzy Screenplay Competition. Yeah, a reality-TV option does open doors. Hope that meeting at Paradigm went well. (Tickets to Rose Bowl winner.)

110.Zap-Gram -> 10-19-05 ->

1) A workshop participant (1990's) received screen credit as a producer on Richard Linklater's "A Scanner Darkly." We're glad he didn't stay in NYC. (Fantastic fest.)

2) Our Mr. Crime Thriller (a workshop alum known for his one-two punch) penned a TV pilot which rolled camera this summer with Joe Estevez in the lead. Our alum writes: "I was on the set everyday of filming 'Third Degree.'" He goes on to say that Estevez (Martin Sheen's younger brother) also signed a letter of intent to star in yet another one of his scripts. (Bet that fortune cookie comes true.)

3) Small world. Another workshop alum ('03) was the location manager on "The Third Degree." (Austin.)

4) And speaking of letters of intent, our very own Mrs. Warmhearted Soul wrote us that Willie Nelson has signed a letter of intent to star in her original screenplay titled: "Jessie's Dream Snake." Note: Her director on this project is the same shooter with whom she collaborated on her well-received short which recently was accepted in the 11th Annual Palm Springs International Festival of Short Films. (Such a Cinderella story.)

5) And speaking of inked deals, that investigative reporter (a workshop alum from the '90s) known for his insightful political depth . . . recently hammered a six-figure book contract to write a bio on Alberto Gonzales (Bush's Attorney General). (Texas/Tejas.)

6) A workshop alum ('03) has had his first feature selected to participate in IFP's Rough Cuts Lab in New York City. Yeah, and with one in the can, this writer-producer-director is now seeking a new script for his next project. (In the groove.)

7) A two-time workshop participant was awarded $1000 from the Austin Film Society's Texas Filmmakers' Fund to roll camera on his documentary. (Camera on.)

8) And speaking of August filmmaking fun -- a workshopper from earlier this year writes: "I got a team of interns together for the 48 Hour Film Fest in Austin last month, and we ended up sweeping the awards: Best Film, Best Directing, Best Cinematography, Best Special Effects, and Audience Award." Oh, man. That must've been some after-party. (Film on.)

9) And finally, a workshop alum who impressed us with her comedic tone . . . wrote that she'd entered the NYC Midnight 24-hour competition . . . and that she'd placed ". . . in the top five in my heat!!" And this was a last-minute entry, folks. (Hello.)

109.Zap-Gram -> 8-8-05 ->

1) The continuing Hollywood saga of our remarkable 24-year-old phenom who developed two feature scripts via our 8-week workshop and then proceeded to sign with CAA last November . . . (yeah, amazing stuff, huh?) . . . anyway, this determined scribe recently chalked his name of the scoreboard per two super-sweet studio deals. He writes: “A month and a half ago we signed a blind deal with Warner Bros., and then a month ago we signed a 2-picture deal to write for Paramount.” Wow. Talk about rapid career momentum for someone oh-so young. (It doesn’t get any better than that.)

2) A workshop alum from a number of years ago continues to bring home the bacon. The TV pilot she wrote (and which went to camera) has a couple of prodcos wanting to take a look at it . . . and she also has another script going to camera later this summer . . . plus her screen adaptation of a book may lead to yet another deal. Busy, busy. (The QT connection.)

3) Finally, a repeat workshop participant/alum continues to impress us with his ability to consistently garner accolades via the national screenwriting competitions. Yep, he etched another notch on his pen. He recently made the first cut via the Filmmakers.com contest per 1273 entries. (The never-ending story.)

108.Zap-Gram -> 6-23-05 ->

1) Contest news. A workshop alum (from a number of years ago) has written a hot new script (we’ve heard it’s darn funny) . . . and this killer comedy has proceeded into the semifinals in the American Accolades screenwriting competition. But we’re not surprised (other than it being a comedy) because this multi-genre writer has had such a solid history via topping out in a variety of contests. (Maybe that’s why he was picked for a screenwriting panel at Barnes & Noble earlier this year.)

Having received doctoring feedback on a previous script, another screenwriter (that in-the-right-place-at-the-right-time pitchfest star) . . . just made the finals (i.e., the top 3) in Scr(i)pt Magazine’s Open Door contest vis-a-vis a new script which he’d submitted to the competition before we’d had a chance to look at it. (Wildcatter’s career momentum.)

2) A writer-director (who studied with us in 2003 and who impressed us with her POV talent) . . . is premiering a new short in Houston. Sounds like fun. Thanks for the invite. (Sharp legalese.)

3) That doctored screenwriter from New York (the one with an MFA in creative writing who we hooked up with a director last year and who was then offered an option deal on his heartfelt script) . . . informed us that he “. . . might be writing comics for either Marvel or DC -- had meetings with both . . . Not a lot of money involved, but it'll be nice to keep busy and getting paid to write.” (Sounds like a cool gig.)

4) Our extremely talented alum at ILM . . . wrote us back in April that: “After wrapping 'Star Wars' a couple of weeks ago, I've been shifted over to 'War of the Worlds.' If you had traveled from the future and told me, in college, that I would work on back to back Lucas and Spielberg projects in the same year, I probably would have said you're crazy! It's an EXTREMELY rushed project and we're all putting in lots of overtime. But it's looking great. I can't wait for it to come out.” (You da man.)

5) Acting gigs. A workshop participant (who studied with us earlier this year) grabbed a part in Bentley Mitchum’s new film which he'll be shooting up in Dallas. Bentley is Robert Mitchum’s grandson. (Whoa.) And our actor-writer had more good news to share via an indie Western which he’d acted in and which recently garnered distribution. (Moving to L.A., huh?)

6) Fun stuff happens. A workshop participant from last year wrote that: “. . . I am competing in the Miss Texas USA pageant on June 26th in Laredo. It will be telecast live on NBC.” And she goes on to say that “ . . . I have been writing short scripts to rave reviews . . . .” (Such a warm-hearted soul with such a bright future.)

107.Zap-Gram -> 4-13-05 ->

1) Remember that writer who flew out to L.A. and inked a deal with a production company based upon his reality-show pitch? Well, “Creative Screenwriting” magazine was so impressed by his remarkable “luck” that they wrote up the particulars of how he pulled it off in their January issue. But there’s more. We recently found out that this savvy Austinite also made the top 50 in the Screenwriting Expo 3 competition last year. Talk about being on a roll. (Nice hill-top views.)

2) Austin’s Burnt Orange Productions has a good eye for talent. Their roster of films going to camera has some familiar names on it.

3) Alum news. Years ago there was this highly talented ad guy who developed his first feature-length screenplay in our 8-week workshop (and which then proceeded to make the semifinals in Nicholl). Whoa. A rare feat for a writer's first screenplay. Anyway, we just got an update as to what’s up with his career. He writes: “I got accepted into a pretty prestigious group called the PlayGround Writers’ Pool at Berkeley Rep Theatre, and I’ve been having some success in their monthly staged reading series. My short plays are getting produced here and there around the country, and I have a full-length play being considered at a couple of nice theatres, too. It’s kind of nice doing the playwriting thing; you get to see your work on its feet much quicker than the screenplays go.” (Level-headed talent.)

4) More alum news. That workshop participant who studied with us twice and then signed with a New York literary agent and inked a super-cool 3-book deal . . . writes: “I have a book due May 1, and they're trying to get me to send it in sooner. Apparently this is set to be published in the fall.” Ah, the joys of success. But what we really wanna know is where we can get a DVD of that low-bud indie in which this multi-tasker did a little acting in. Hey, we even asked the screenwriter who wrote the feature script (one of our workshop participants from earlier this year) . . . but our request for a copy hasn’t, as of yet, materialize. (Who knew?)

106.Zap-Gram -> 2-15-05 ->

1) Our remarkable phenom (who developed feature scripts in two of our 8-week workshops) . . . continues to climb the Hollywood ladder. He recently signed with CAA (considered by many to be L.A.'s top literary agency). Yes, it's extremely rare for a 24-year-old screenwriter to have such talent and such career momentum. That’s an amazingly young age to be working at his level. (Good luck with those pitch meetings vis-a-vis the studio executives.)

2) Last month a workshop participant (from 2003) rolled camera on his low-budget indie. As the producer, director, writer –- he’s a filmmaker with a unique vision on how to build a career per the international market. His willingness to gamble on his talent is reflective of his people-friendly entrepreneurial skills. (Gutsy.)

3) She’s on a roll. Remember that spicy-sweet short which was written and co-produced by one of our workshop participants from last fall? Well, that sexy short continues to generate heat for our screenwriter. She writes: “Just wanted to let you know our short film made it into the Florida Film Festival. Yippee!” And, y'know, we think the feature version will be even better. (We have no doubt that the good news will continue to accrue.)

4) Finally, another repeat workshop participant from last fall grabbed some national recognition with a short via Kevin Spacey’s development company, a.k.a., Trigger Street. Our director-writer is up for the Budweiser Discovery Award. Whoa. (That’s hot.)

105.Zap-Gram -> 12-13-04 ->

1) Last year we doctored a screenplay for a writer who designed his story around his work-a-day-world expertise. Good effort. Then earlier this fall this same writer develops an idea for a reality-TV show which is also based upon his job experience and sorta riffs off his fictional screenplay. (Writing what you know.) So -- when we heard his TV pitch before he went out to L.A. to take some meetings, we knew it was darn unique; and then we were thrilled when this visionary of reality was able to connect with a prodco and thus be offered a contract based upon his pitch. Dang. That’s hot stuff. (“Variety’s” scoop.)

2) A warmhearted person who also happens to be a natural talent (known for her giving personality and bountiful karma) . . . had a sexy short (which she wrote and co-produced) make the cut in the New Filmmakers Winter Series to be shown this coming March in New York City. (Spicy sweet.) But her journey has actually just begun because this workshop participant (who’d first studied with us a number of years ago) -- just finished developing the feature version of this same story in our fall workshop. Such impressive focus. (Good luck with your famous-person attached package.)

3) Quality TV viewing. A workshop participant (who's penned many wonderful books) was spotted on PBS giving an interview which referenced her smorgasbord of ongoing projects. Talk about multitasking. Books, video projects, and community service fill her plate. (Loved that home-cooked meal.)

4) Staying in touch is a good thing. Mr. Knockout Punch (a workshop participant & doctored writer) . . . recently informed us that: “I just had another script optioned, and they’re trying to package it. Actor James Woods has one of my scripts and is seriously considering directing it.” Our writer then proceeds to tell us about another major actor interested in yet another one of his screenplays which he has to keep tight-lipped about. (Where’s a good undercover agent when you need him, huh?)

5) Oh, wow. Mr. Contest Slayer does it yet again/again/again. This two-time workshop participant grabs another series of accolades as a finalist in the Anything But Hollywood Screenwriting Competition . . . and also makes the top five in the Filmmakers.com Screenwriting Competition . . . plus pops into the semifinals in Scriptapalooza. (Maybe it has something to do with the rarefied air in fighter jets, i.e., in logging so much time flying above the clouds.)

104.Zap-Gram -> 9-13-04 ->

1) Hey, remember that doctored screenplay (we mentioned in July) which we hooked up with a director friend of ours? Well, this award-winning director (known for his heartfelt work) has put an option offer on the table which includes a $150,000 buy on the upside if the budget tops $15 million. Oh, man. Not too shabby for a screenwriter's first deal, huh? (Looking forward to meeting you.)

2) Mr. Contest Slayer (a two-time workshop participant) has done it again. He recently made the quarterfinals in Scriptapalooza. This year there were 4158 entries. But it gets even better. He also just made the finals in the Hollywood Symposium competition. Congrats, guy. Sounds like an interesting script. (Write on.)

3) Uh-oh. We happen to know another finalist in the Hollywood Symposium competition. A doctored screenwriter (from last November) has also made the finals this year. Yikes. We can only hope that one of you guys walks away with the top prize in October. Oh, and there’s more. This savvy biz-man has generated interest in a hot reality-TV idea of his, too. A producer wants to take a meeting. Yep, so that trip to L.A. sounds as though it’s going to be productive. Keep us in the loop. (Hope you had fun Sunday.)

4) Talk about an abundance of opportunity. Yeah, well -- that’s what happens when you have such sharp people skills, such commercial focus, and such a wonderful can-do attitude/personality. Ms. Remarkable (a two-time workshop participant) . . . who only began writing seriously upon enrollment in our workshop . . . now has a novel moving toward publication, and her New York agent has also set up two more book deals . . . plus . . . our writer was just offered admission into UCLA’s MFA screenwriting program. But wait. She may not take this offer after having also said “no” to the certificate program earlier this year. Why? Well, because she says she wants to be a director, and she has some books to write, and she’s now working as a casting assistant on a film. Such tough choices, huh? (Enjoyed the Mongolian.)

5) Whose photo was that in the July special edition of “Creative Screenwriting” magazine? It looked like our Ms. Hardworking Mom who studied with us four times. (Gladstone’s in Malibu.)

6) Another workshop participant has wrapped his 40-minute psychological thriller as the film’s producer-director. There’s buzz about an upcoming screening. Nice title. (Impressive.)

7) And finally -- a workshop participant (from the ‘90’s) offered a hands-on workshop for authors per her insightful work as a freelance editor. Two books published. (A big hello.)

103.Zap-Gram -> 7-3-04 ->

1) Dedication and determination pay off. A workshop participant sold a short, and she stated that the director had locked in a roll-camera date. (But wait. It gets even better.) Our screenwriter then proceeded forward with a feature-screenplay deal in which Willie Nelson has agreed to participate. Talk about a cool soundtrack. (The music biz has its benefits.)

2) Production pipeline. A workshop participant known for his savvy ability as a producer to pick award-winning projects is onboard with the likes of George Clooney and Steven Soderbergh per a new film which will involve Keanu Reeves. Such high quality. (And such a great party host, too.)

3) Acceptance in film school. A workshop participant from last fall was offered a film-school scholarship. But did she accept? Well, last we heard she was holding out for NYU; but she said that if she didn’t make that cut, then she was packing up and moving west, looking forward to hands-on academia. (It’s amazing what a well-written script can do, huh?)

This spring yet another workshop participant got accepted into UCLA’s certificate program in screenwriting. But there was no rush to jump at the chance. Nope. Hey, she had a number of interesting choices to pick from, and she said that she might not do the Ivory Tower per the demands of her already budding career. (The ability to say “no.”)

4) On a roll. A workshop participant from years ago has gone the whole enchilada via writing and producing a TV pilot with a locked-in production date. Last we heard they were casting and had already filled the crew assignments. Yep, should be an interesting indie production since they’re shooting in Austin, and so few TV bets are placed outside of L.A. Note: Another one of our workshop participants has signed on as the production coordinator for this project. (Can’t wait for an invite to the screening. Faces we know.)

5) Best wishes to that talented screenwriter who has that oh-so cool project set up with Terry Malick.

6) More good news. Last month a workshop participant sent us word that his pitch for a reality TV show was about to be optioned. He wrote that: “The production company . . . is sending me over a contract . . . [and] I will also be attaching myself on as an executive producer . . . .” Nail it down. (Dare we say, “A big congrats.”)

7) A doctored screenplay from last year grabs the attention of a director friend of ours. Yes, indeed. The writer’s script was mentioned over dinner in Santa Monica a few months back . . . and the director wanted to read it. Then a few weeks ago the director tells us that he thinks that the script is “really good” and wants to direct it. Whoa. Just like that this package is gonna be shopped. But, y’know, this isn’t an overnight success story because the screenwriter has the talent on the page (after years of work) and an MFA from Columbia to back it up. Amazing what a little matchmaking can do, huh? (Looking forward to dinner.)

8) Finally, a workshop participant who enrolled in the 8-week workshop and then reenlisted for the advanced mode . . . continues to make inroads in Hollywood. In regards to a continuing pitch deal which he’s been involved with -- he writes: “ . . . we went in and pitched the second draft of our treatment after instituting their notes, and they flipped for it, so now we move to the next step . . . getting talent attached.” And he goes on to say: “I’ve also had pitches at a couple of prodcos on the Paramount lot.” Yes, we get it. You’re darn busy. (A showrunner in the making per being so talented and disciplined via such a very young age.)

102.Zap-Gram -> 4-17-04 ->

1) One of our most dedicated workshop participants recently received recognition via two feature screenwriting contests. He made the quarterfinals in the CineStory competition, and he also won 3rd Place at the Cinequest Festival with yet another script. (Historical period pieces.)

2) More contest news. Another workshop alum co-wrote a 45-page short with one of his employees, and their script proceeded to make the semifinals in the Fade In Screenwriting Competition. Hey, that’s the top 100 out of something like 2200 entries. Impressive. And word is that they have a good shot at the upcoming finals. But it doesn’t stop there. Our scribe is also working with a producer (who shot a marketing trailer per an option deal) . . . plus he has a reality-based idea for a TV show he’s presently shopping. (Multiplex research.)

3) Last month our super-busy phenom: “Had a big pitch meeting with Lions Gate . . .” -- i.e., he was under consideration for a rewrite assignment. He stated that the meeting “went really well.” Hey, it sounds as though someone likes his work, huh? (An assignment here, an assignment there.)

4) Talk about exceptional energy. A workshop participant from last year just had a premiere of a short which she wrote, produced, and acted in. Whoa. Triple threat. She’s starting to make a name for herself in A-town. (When the bug bites . . . .)

5) That highly versatile workshop participant who used to write for “The Wall Street Journal” . . . recently landed an internship at a hot production company . . . and was invited to work on the producer’s next movie. (Can’t wait to read the novel.)

6) Going to camera. Another workshop participant from last year has been named the production coordinator on an upcoming film for 20th Century Fox which is being directed by one of Austin’s coolest directors. (Such a resume. )

7) Finally, an 8-week participant from last summer is producing a short he wrote . . . and will also be directing a feature film this fall. Talk about potential. (Dare we say “easy to work with.”)

101.Zap-Gram -> 2-23-04 ->

1) A workshop participant scores an Honorable Mention (i.e., the top 12) in the Independent Black Screenwriting Contest. And yes, it’s been a number of years since she developed her first feature script in our workshop . . . but, y’know, a good story is timeless. Indeed, Ms. Best-Seller always did have the goods per having had so many successful books in print. Talk about a prolific writer. And thanks again for that wonderful dinner, fun conversation. (More books than fingers and toes.)

2) For those who aren’t up-to-date on hot trends, there’s a new version of the arts salon going down in L.A. (Energized hospitality.) And there’s one group in particular which has caught our eye . . . and which is beginning to make a name for itself via screening film classics and hosting get-togethers for talented HW types, e.g., hungry screenwriters, give-me-the-deal directors, can-do crew, lovable agents, development folk, etc. And why is this vibe so cool? Well, probably because one of the founders of this “Lake Tejas” is our very own 23-year-old phenom, i.e., Mr. Future Showrunner . . . who now works for HBO (that’s his day job) . . . but he’s also developing scripts with David Ladd Productions and Zucker/Netter . . . “in addition to his own stuff.” Not too shabby for the oh-so young, huh? So what’s the secret? Well, it’s called talent, and it’s called having a super charming/let’s-take-a-meeting personality . . . and he says that he’s been blessed with a: “Truly wonderful agent.” And he’s right. She is one of the nicest agents we’ve ever met. (Texas Hold ‘em, anyone?)

3) News flash from our workshop alum at Lucas’s Industrial Light & Magic. HARRY POTTER 3 has a dark side. (Zoo Puzzle; Puzzle Zoo. Excellent notes.)

4) Finally, in a recent issue of “MovieMaker Magazine” -- Austin, Texas, was listed as one of the top-10 places for filmmakers to live and work. Yep, earth-shattering news, huh? But what caught our eye was the interview with one of our workshop participants who was quoted in the article in regards to making low-bud indies. (M.R. should know. Who doesn’t know?) Good luck on your feature.

100.Zap-Gram -> 1-13-04 ->

1) A big congrats to the two Austin filmmakers who are premiering their film at Slamdance this year. Yes, indeed. Wonderful evolution of talent. It’s been years, huh? (Park City tango.)

2) Roll camera. A workshop participant (’03) will call “action” in February via producing/directing a short. (Talented family.)

3) Contest news. Talk about consistently grabbing the eyes of judges. A workshop participant (’98; ’00) made the QFs (i.e., the top 5%) in the American Screenwriting Competition . . . and he also topped out in the Cinequest Contest via the top 10. (Good luck at the fest.)

4) Oh, man. So much play. Our Mr. Lucky (an ‘00 workshop participant) had a co-package deal in the pipeline with William Morris, and he also was attempting to wrangle an associate-producer credit. (Star struck.)

99.Zap-Gram -> 10-26-03 ->

1) A deal’s on the table. Our due-diligent workshop participant (’00) -- who’s known for his relentless effort -- has, in fact, been offered $150,000 for one of his scripts. There you go. (Dinner is on you.)

2) Contest news. A workshop participant (’98; ’00) continues to generate competition heat. This year he made the finals in the Telluride Fest and in the Hollywood Symposium Competition . . . and he also popped the cork via the final 3 (per another script) in the Ohio Indie Awards. Gosh, darn. Hope that agent likes it.

3) More contest news. A workshop participant (’02; ’03) made the SFs in the Chesterfield Competition. Uh-huh, uh-huh. There were roughly 2,800 entries this year. But wait. There’s more. She’s also working as a line producer on a low-bud indie. (Real estate in L.A.?)

4) Ditto. Another workshop participant (’03) grabbed some much deserved recognition as a SFs in Scriptapalooza this year, i.e., out of 2947 entries, her script was in the top 126. (Who said dogs bring good luck?)

5) Indie. A workshop participant (’03) garnered the interest of a Texas producer with her “haunted-house” script. She wrote us that the guidance which she received in our 8-week workshop was very helpful in regards to “taking a meeting.” (Hey, we try. Living on the lake has its benefits.)

6) Talk about “taking meetings.” Our super talented phenom (i.e., that 22-year-old workshop participant from ’99 & ’00) . . . who recently went wide with a script . . . and, um, who got positive feedback from the likes of Spike Lee’s prodco . . . well, he's now set up to buzz into 34 Hollywood meetings. Oh, man. Mr. Personality. (Is it true that five waiters did an impromptu audition at this budding writer/director’s table via a gourmet restaurant in Studio City?)

7) No way. A confidential source informed us that two of our workshop participants had lunch with Shane Black. And yes, it does check out. Photos are on the way. (Lobster anyone?)

8) A second book published. One of our multitalented writers (a workshop participant ‘96) has published a futuristic novel which sorta reminds us of the screenplay which she developed in our 8-week workshop. Congrats. (Where’s Costner when you need him?)

98.Zap-Gram -> 8-2-03 ->

1) Not enough hours in the day. A workshop participant (’00) has five projects in the pipeline:

-- He signed with a production company to "write a TV pilot for . . . Philip Michael Thomas."

-- He rewrote one of his scripts for another production company.

-- Vin Diesel has signed on to star per one of his true-life cop stories.

-- He had another script optioned by yet another production company, and a director has signed a letter of intent to direct.

-- Our Mr. Sleepless is also developing an idea for a “C.S.I.” actress, and ICM may handle the packaging.

Gosh. Impressive. Such a player. A big congrats. (A 30-hour day, right?)

2) Our wonderfully talented phenom (i.e., a workshop participant from ’99 & ’00) . . . did, in fact, garner representation via that Hollywood manager . . . and was then signed by a mid-level WGA agent. (Such amazing talent at such a young age.)

3) No, he’s not related to Robert Rodriguez, but he did do an interview with Mr. Spy Kids for a national magazine. Good stuff. But hey, it doesn’t stop there. Our workshop participant (’98) also signed an option with a production company to direct one of his feature scripts. (Birds of a feather.)

4) Who landed an all-expense-paid trip to NYC to be on a network TV show? Well, one of our favorite workshop participants (’01; ’02; ’03), that’s who. She was invited to be a dream-date contestant on “Regis and Kelly.” Whoa. And such a warmhearted soul. And so deserving. Super applause. (She also just won our summer workshop award for her new romcom. Sizzling commercial. We’re there.)

5) Contest news. A workshop participant (’96) recently made the finals in the People’s Pilot Competition. Double-dog-dang. Such a cute title. (And, um, there was that rumor that QT had a liking for the quirky location mentioned in the script. But then again, the director of PULP FICTION has been known to speak highly of many Austin venues.) Note: Our writer’s agent also pitched her story “to the head of Viacom’s TV [department].” (Always a pleasure.)

6) On the boards. Another workshop participant (’03) is directing a stage play . . . and also has signed to write/direct a 15-minute short for a production company. Workable budget. (Thanks for putting us on the guest list. Looking forward to checking it out.)

7) A NYC lit agent signed her up. Ba-bing/ba-boom. A workshop participant (’02; ’03) . . . who wants to be a success in both worlds (publishing and screen) . . . grabbed the interest of a NY literary agent per the manuscript for her first novel . . . and now the super hot screenplay which she developed with us earlier this spring . . . is being considered for representation by a Hollywood manager. But hold the PalmPilot e-mail. There really is something extra, extra special about this writer’s LOL comedy. (But, um, don’t tell her this because it’ll probably go to her head . . . as if she needed more encouragement.) Indeed, this charming dual scribe has clearly demonstrated her superior talent by nailing one of the best screenplays ever developed in our workshop series . . . bar none. Absolutely a killer story. (Thanks for the invite to dinner.)

8) The script doctor is in. A doctored screenwriter (per an edit from earlier this year) . . . was nice enough to send us notes on our doctoring job. He writes: “I wanted to give you some feedback. I really enjoyed your criticisms and suggestions [ . . . ] I needed an editor to get me going [in] the right direction. When I read about your `merciless red pen,’ I concluded [that] you were the guy. You have a real gift.” Hey, thanks. We try. Much appreciated. Your writing has a ton of energy. Keep us in the loop.

97.Zap-Gram -> 6-11-03 ->

1) Talk about being in play. A workshop participant (’98; ’00) zoomed into the Texas Film Institute’s quarterfinals with his cross-cultural/feature-film screenplay. And this writer also recently signed with a literary agent; has his work under review with a couple of managers; had a stage play produced this spring; has a script under consideration at Buena Vista Studios; has another historical piece being read at prodcos . . . and earlier this year he became one of the top-five runners-up at the Wisconsin Film Forum. (Oh, gosh. Busy-busy.)

2) L.A. buzz. Known for his highly prolific work ethic (e.g., he’s written seven feature scripts) -- a workshop participant (’99; ’00) recently landed an internship at Mosaic Media Group. He writes that: “ . . . what’s great is that it’s in the Story Department.” Yes, and this wonderfully talented phenom (i.e., only 22 years old) is presently being considered for representation by a Hollywood manager. (Whoa. You’re gonna need unlimited cell-phone minutes.)

3) The doctor is in. A dialogue-friendly screenwriter (with a light comedic touch per romantic comedy) . . . mailed us a script to doctor . . . and what then proceeded to make this guy so darn talent-capable was his ability to take our notes and move his story up to a new level. Wonderful application of technique. He writes: “I must say I found your comments extremely helpful and enlightening. I probably learned more from that one review than from three years of reading screenwriting books.” Yes, well – we try. (Hope that manager likes it.)

4) Genre focus. A workshop participant (‘00) just signed with an agent to represent her mystery novel. Kudos. Our award-winning writer also recently won first place in a Texas novel-writing competition. (It’s called market diversification.)

5) Remember that workshop participant (’98) whose new book (about a true-life Texas disaster) was being considered for an option by Tom Cruise's production company? Well, C/W Productions did, in fact, sign an option deal with our writer. (Must be nice.)

6) On the lot. A workshop participant (’01; ’02) . . . known for her laser-sharp word flow . . . snared an internship at Warner Brothers Studios. (Such a people person.)

96.Zap-Gram -> 3-31-03 ->

1) A doctored screenplay made the finals in the screenwriting competition at the New York Independent Film Festival. Cowgirl-hat cool. This writer’s historical western had a warm-and-fuzzy storyline. Mucho kudos.

2) Take two. Having established a solid reputation via crewing on quality indie projects, a workshop participant (’03) just grabbed some intense limelight via a screen credit as the line producer on SEXLESS. And get this. SEXLESS just won two major awards at the South by Southwest Film Festival (a.k.a., SXSW) -- i.e., the Audience Award and the Jury Award for Narrative Feature. Whoa. Impressive. Let’s hope the screenplay that she’s presently developing via our 8-week workshop will do as well. (The class liked it. Sharp concept. Good demographic.)

3) CGI update. That wonderfully talented workshop participant (‘98) who digitizes special effects for ILM/George Lucas . . . writes that: “HULK is hulking along. I think we'll finish on time. Delivery date is May 19th.” He goes on to say that CGI technology is getting better at “. . . creating a digital human. This will prove not to be just another [comic-book] movie. Ang Lee is really investing some thought provoking stuff into it . . . .” Oh, man. Looks so good. Humanized-hulky facial expressions. (Guero’s?)

4) Good news. A determined screenwriter just made the quarterfinals in CineStory. Hoo-AH! Cute story. Such sharp honesty. May the luck be with you on those pending applications. Keep us in the loop.

95.Zap-Gram -> 2-22-03 ->

1) The screenwriting-contest notifications are off to an early start this year. A workshop participant (’98; ’00) just won second place in the Christian Screenplay Competition. Impressive. Our writer nailed this accolade per his historical spin on spiritual events from early Rome. And, um, what we liked most about his story was its hero’s sympathetic evolution from pagan to believer. Wonderful transference. Congratulations.

2) Another workshop participant (’98) has received positive reviews for his new book (about a true-life disaster) which HarperCollins has recently published. It’s a revisiting of a tragic event that took place in 1947. Compelling nonfiction. Note: This Texas journalist is a stickler for research. Interesting stuff. (5-13-03: Quick update. Tom Cruise's prodco contacted this writer about an option deal.)

3) Who knew? A workshop participant (‘96) is now writing a monthly column for a national screenwriting magazine; and this is, like, the second such magazine that has engaged her as a writer. Talk about staying on top of the biz. This hyphenate is so energetic. So many irons in the fire.

4) And finally, yet another workshop participant from 1998 has notified us that his Hollywood connections are recommending his latest screenplay to some top-tier literary agencies in L.A. Not bad, huh? Must be a sharp read. But wait. There’s more good news. This guy is now working for “People Magazine.” Yep, always a good idea to keep the day job. Ciao.

94.Zap-Gram -> 1-5-03 ->

1) Vis-à-vis a two-day schmooze in L.A., a workshop participant (’00) recently signed with a new hard-charging manager. And get this. “Within one day of signing, he calls [a famous] director and sends him one of my scripts. [The director] reads it, loves it, and signs on to direct.” Last we heard the deal was under consideration at USA Films. Yeah, and this knock-you-down writer also had another script under review at Sony Pictures and a pending writing assignment with a N.Y. producer. Never a dull moment.

2) A workshop participant (’02) won the Austin 48-Hour Film Fest (via his script) . . . and will go “on to compete in the national event.” Talk about a smooth unfolding via sharp dialogue, comedic characterization, and cute concept. Double-dang funny. Wicked stuff. Cool download.

3) It’s always such a joy when writers share their knowledge with others. Last fall a workshop participant (’00) taught a course per her years of work as a journalist . . . and, um, this is an award-winning writer who has a remarkable ability to take an everyday event and enhance it with cutting-edge wit. A truly determined wordsmith. Lucky students.

93.Zap-Gram -> 11-21-02 ->

A workshop participant (’96) won 2nd place in the New York Film Festival Screenwriting Competition. A big congrats. (And she’s so darn modest, too.) Another workshop participant (’02) – our "Mr. Multi-juggler," i.e., the guy who writes/produces funny shorts – recently had a screening of a brand new mockumentary. Yeah, and now there’s this positive buzz . . . and it looks like our writer is in the running for an award. (Party on.)

92.Zap-Gram -> 10-16-02 ->

Five alums do us proud.

(1) Contest news. (a) A workshop participant (’98;’00) runs the flag up the flagpole and wins the feature-film category in the Scriptwriters Network 12th Annual Carl Sautter Memorial Scriptwriting Competition. Talk about crafting a hero’s journey, i.e., his story was designed as a character-driven period piece which was framed within a compelling coming-of-age quest . . . woven with gut-wrenching historical facts. Excellent application of storyline enhancement. Ted Turner, why haven’t you called this guy, huh?

(b) Rapid momentum. A workshop participant (’02) charges into the semifinals in The Writer’s Network 9th Annual Screenplay Competition, i.e., this young lady beat out 2149 entries . . . and she’ll find out if she’s a finalist around November 30th. Whoa. Pretty good for a first screenplay, don’t you think? And such talent for someone so very young. (Yes, truly encouraging.)

(2) Career update. Mr. Cinema – a workshop participant from 1999 – sends word that the producer who optioned his family dramedy this spring . . . has shot a trailer to attract investors . . . and our Mr. Cinema was the guy who also wrote the trailer. There ya go. Must be nice to see your work in the hands of a director per some camera time, huh? Mr. Cinema goes on to say that his TV pilot continues to have potential to roll camera. (Gotta be a happy camper.)

(3) A stage-play award. A workshop participant (’96) is recognized for her outstanding achievement in local theater as a writer, producer, director. So impressive. Yes, indeed. Our just-wanna-hug-her writer was honored at the B. Iden Payne Awards for her continuing contribution to the art’s community. Well-deserved, and a wonderful example for others to emulate. (Hugs.)

(4) Funny stuff. A workshop participant (’02) wrote a comedic short (i.e., a short film) . . . and it really was, um, funny. In other words, when he screened his short in front of an audience at a movie theater and people said it was funny . . . that sorta proved it was funny. So, like, now we know this guy isn’t stuck writing whacked-out action-genre pieces, i.e., he can also deliver the guffaw goods. (Staying up late for that party didn’t seem to harm your shoot too much, did it?)

91.Zap-Gram -> 9-28-02 ->

(1) Contest recognition. A workshop participant (’98) lands in the “top ten” per an honorable mention in the WriteMovies.com Screenwriting Competition. Not too shabby for a guy who runs his own business and writes on the side, i.e., this get-it-done entrepreneur has an inquisitive personality, in that he has the professional know-how one needs in order to dig up info which most of us would rather forget. Another workshop participant (’02) . . . a young lady who typed “FADE OUT” on her very first screenplay this spring . . . proceeded to grab some well-deserved notice in the Austin Film Festival Heart of Film Screenplay Competition. Excellent. Indeed, this impressive feat confirms that a quality first script can beat out entries by more experienced writers, i.e., our alumnus made the cut with a romantic thriller which advanced to the second round . . . which means that out of roughly 4000 entries . . . she placed in the top 10 percent . . . and that’s a darn good jump-start when one factors in her young age. Hey, as always -- a pleasure to hear the good news. Keep us posted.

(2) Karma update. Sometimes when we check our e-mail, a person we haven’t heard from in years sends us news in regards to their career. And, like, talk about a total joy to read. Anyway, a workshop participant (’98) recently touched base and stated that (after galvanizing us in the workshop with his heavy-duty wordsmithing) he’d gone on to land a slot in UT film school . . . and had been blessed with a master’s degree . . . and now he’s teaching screenwriting at the college level . . . and he’d recently garnered a Film & TV grant to expand his interface with young writers. Nice. Warmhearted stuff.

(3) Another coup. This guy is truly awesome. A workshop participant (’00) nails a twofer. Ba-boom. What an explosive talent. And, y'know, now his name’s being bantered about nationally. Such a player. Yes, indeed. This knock-out puncher recently inked a development deal with a producer (to write a script per the producer’s idea) . . . but it turns out that he’s not just hooked into one deal . . . oh, no . . . our champ is also rewriting another one of his scripts with this very same producer, and there’s a setup for talent and financing in this second deal. Oh, please. Such people skills. (You da man.)

90.Zap-Gram -> 8-29-02 ->

(1) Golly-gosh. A prime-time actor on CBS has just signed a “letter of intent” to star in a workshop participant’s script (’00) which a producer buddy of his has under consideration at HBO and Miramax. And, like, this same writer also has another CBS actor hooked up on yet another one of his scripts at a prodco . . . and, and . . . another producer has just inked an option agreement with this same writer on yet a third script, i.e., a sweaty crime thriller. (Oh, man. It must be true. Luck really does come in threes, huh?) Yes, indeed. This talented scribe goes on to say that: “All of this success is due to your superior instructions. Thanks!” (Much appreciated.)

(2) Hey, it’s that time of year. The WFP (which administers the five $20,000 Chesterfield Screenwriting Fellowships) . . . has just notified the 2002 semifinalists . . . and we’ve been informed that three of our writers have made the cut. Workshop participants from 1996, 2000, and 2002 have proceeded forward into the semifinal round. (Impressive.) Note: One of these writers stated that this was his second year to make the SFs . . . and he went on to say that this year he’d made the cut as a co-writer with a new “screwball comedy set in college.” (Well, okay. This guy is, like, a college student.) Also, another one of the above mentioned semifinalists made the “ditto” cut last year . . . all the way up to the top 15 as a finalists . . . but, um, this year he’s in the running with a revised body of work (which includes a new script). And finally -- the most recent workshop participant just e-mailed us that he’s progressed into the SFs with his very first script, i.e., the one which he finished with us this spring. (That was fast.) So, y’know, a big congrats goes out to all three of you. Good job. And, um, let’s hope that you’ll be receiving even better news in eight weeks. (Knock-‘em-dead storytellers.)

89.Zap-Gram -> 8-12-02 ->

(1) In July – a workshop participant (’02) bolted out of the starting gate with his very first screenplay and galloped across the finish line into the quarterfinals of the Scriptapalooza Screenwriting Competition. Oh, man. This guy has the stamina of a thoroughbred, in that he has a full-time professional career (outside of writing) which, um, demands beaucoup time. Such determination. And, like, we were truly impressed by that opening scene sequence in your Act I. Powerful stuff. A real grabber. It was one of the best openings we’ve read this year. Also, per your superior wordsmithing ability, we know your next screenplay will be a must-read. (Foundation building.)

(2) In the news. A workshop participant (’98) will be featured as the filmmaker of the month in the August edition of Austin’s “Insite Magazine.” Yep, this mover and shaker is that camera-friendly auteur who’s generated some heat in two national film festivals. (“On the road again.”)

88.Zap-Gram -> 7-10-02 ->

(1) In June – a workshop participant (’98) splashed into the killer top 20 of Final Draft’s Big Break Contest, i.e., our writer’s laugh-out-loud boomerang comedy nailed a top "notable mention" and proceeded to place overall at number 16. Yes, yes, yes. Such a sweet script. And, like, this blue-collar puppy-dog story has also generated eye-popping heat vis-a-vis a well-connected rep and director. (It’s called talent.)

(2) Another workshop participant (’96) grabbed a little sizzle in the New York International Film Festival/L.A. International Film Festival. In other words, her screenplay was chosen as a top-30 finalist. (Whoa.) And here’s the kicker. Because of her outstanding work . . . she’ll get to take some meetings with woo-woo producers. (Such a player.)

(3) Finally, there’s some “how'd-this-happen?” news from a workshop participant (’00; ’01) . . . one of our truly determined writers/actors. In early June this “let-me-tell-you-a-story” gal was introduced to an indie producer . . . um, a producer who just happened to be looking for a certain type of script . . . which our writer just happened to have developed in our 8-week workshop earlier this year. Anyway, this indie producer fast-tracked the read and responded positively, i.e., we were told by our writer that her script was: “. . . in the ‘yes’ pile in [the producer’s] office. [The producer] loved my writing style, and [said] it’s very strong. The bad news. She doesn’t want to go with it on her first round because of the biracial issues. Thus, she said she will hang on to it and contact me later on to see if it’s still available. If so, she’ll work with me.” Oh, man. So close. But, like, don’t let it ruffle your feathers. It’s a wonderful script. (A natural.)

87.Zap-Gram -> 5-13-02 -> E-terrestrial Special Effects. Our Mr. CGI Guy – a workshop participant from ’98 – sends news from Lucas Land, i.e., Industrial Light & Magic. Here’s da scoop. He’s already seen EPISODE II . . . and in his opinion it has “. . . lots of eye-candy” . . . and he also thinks that the CGI characters do a good job . . . and he sorta recommends that the Yoda connoisseurs, um, make an effort to see CLONES digitally projected . . . if at all possible. (But, hey, there’s only something like 12 movie theaters in the U.S. with those $150,000 projectors, right? Talk about a long line.) Meanwhile, his ILM team is putting the finishing touches on MEN IN BLACK 2 . . . which has “some really funny moments, mainly due to Will and Tommy Lee’s deliveries.” Yes, yes, yes. Such a cool daring duo. Can’t wait to see it. (Tough way to make a living, huh?)

86.Zap-Gram -> 5-12-02 -> WHOOSH. News flash. A workshop participant (’00) scores a slam dunk in the “Don’t Get Mad; Get Produced!” Screenwriting Awards sponsored by Autumn Moon Productions. Yep, a twofer, i.e., two of our writer’s scripts have hooped into the top 13 per honorable mentions. WHOOSH. Another workshop participant (’98) tosses in a jump shot per the semifinals in the StudioNotes Screenplay Competition. (Oh, my. She’s got the bug.) This published author really has a passion for screenplay. WHOOSH. It’s Texas Writers Month . . . which means Austin is home to a number of the featured writers . . . and, like, two of the state’s best-selling authors – workshop participants from ’97 & ’98 – are doin’ us proud. Yee-ha. Both love livin’ in the heart of the Lone Star state . . . ‘cause it’s really a starry state of mind. WHOOSH. And finally, um, another hot writer – a workshop participant from ’98 – has landed a gig as the bureau chief for a hugely popular national magazine, in that Austin is the new home for its regional office. (Hey, if everyone keeps calling it the Third Coast . . .)

85.Zap-Gram -> 4-26-02 -> Mucho alum news. (1) A workshop participant (’99) – y’know, um, Mr. Commercial Genre – informs us that he hasn’t heard back from the “FADE IN: Contest” as of yet. Now, if you remember, this dude has a shot at the finals. But, like, he’s probably not too concerned about this ‘cause he also has a bunch of other stuff to motivate his anxiety level. He writes: “ . . . just optioned a low-budget family dramedy to a Texas-based indie producer. Not much money . . . but it is the one of the three I currently have under option that appears to have the best chance to get made.” And he goes on to say: “. . . word back from an agent . . . wants to represent me [per two TV series pitches].” Did we mention that this guy always has a bunch of irons in the fire, huh? (Hey, we know where there’s a multiplex if you need to screen something, dude.) (2) A doctored screenplay makes the semifinals via the Barrier Magazine competition. Talk about a long resume of contest recognition. Maybe she’s trying to set a competition record per her first screenplay. (3) Another workshop participant (’99) zaps into publication vis-à-vis a ‘zine, and he also grabs some heat with his work in a crime comic. Let’s see. Film school, comic books, screenplays, ‘zine work? When do you have time to sleep? (A guy with a future, y’know?) (4) Academic news. This scholar has one heck of a vitae. Yes, indeed. Our workshop participant (’01) – um, known for her fluency in a variety languages . . . just landed a professorship in Amsterdam. So cool, huh? But, like, she really has the goods, i.e., she’s already taught in Europe, has a super degree, has her name on a cute short DV . . . and now it’s “aloha oe.” We’ll miss you. (Talk about the sweetest hostess with the RSVP-mostest. One of a kind.) (5) Finally, a workshop participant (’98) seems to be on a national tour with his short. Word came in that he landed a screening at the Las Vegas Film Festival. Yep, if anyone could revive the rat pack, this guy could. Don’t bet it all in one place. (Gotta dream.)

84.Zap-Gram -> 3-28-02 -> What an amazing weekend. On Saturday they handed out the Independent Spirit Awards, and on Sunday they opened the envelopes at the Academy Awards. Y’know, such recognition for such great talent. And, like, when one of our workshop participants (’97) had his name attached to “Best Picture” . . . and we heard his name transmitted across the airwaves . . . it really was a joyous moment for us. Yes, indeed. It's been such a wild rocket ride for our Mr. Hyphenate-Writer-Producer-Director-Man-About-Town-Ubermensch . . . these last few years . . . and there he was garnering a Spirit nomination for being one of the producers on a truly cutting-edge film. Oh, man. Hearing his name really made our day. Such awesome limelight. And, um, even though he didn’t win the award -- just getting a nomination was a huge win in our book. Superduper stuff. Yeah, and that stompin’, whoopin’ and clappin’ that was heard in Austin, Texas . . . well, a warm round of congratulations from us to you. (Always a pleasure.)

83.Zap-Gram -> 3-23-02 -> A producer-director offers up a compliment; and a national competition moves a script to the SFs. (1) A doctored screenplay – which our writer has revised and reworked – generates some heat per its warmhearted portrayal of an NFL player, i.e., a call comes in from a producer-director (a guy with his name on a number of films) . . . and, y'know, he has this urge to pick up the phone and compliment our writer with: “You are good.” In other words, the producer-director was hooked and felt he needed to call and say that he wanted to “proceed with it . . . at the studios and major distribution companies.” Sweet. And, like, that’s why putting in that extra effort is so darn important, in that a power rewrite can enhance a wonderful true-life story into a compelling read. (2) More good news. A workshop participant (’99) – a cinematic go-getter – just had one of his scripts make the semifinals in the Fade In: Screenwriting Awards. (Oh, man. He’s not sweating this, is he?) C’mon, Mr. Commercial Genre. What-a-go, dude. (Tickets would be nice.)

82.Zap-Gram -> 3-13-02 -> Time flies. This year’s first-round notifications have begun. CineStory has already e-mailed its initial cut, and one of our workshop participants ('01/'02) didn’t make it to the QFs via her first feature-length screenplay, but she’s got her fingers crossed per entries in other competitions. (Hang in there. First scripts are such learning experiences.) And, like, check this out. A workshop participant (’99) just made the quarterfinals in the Fade In: Screenwriting Awards. Y’know, such consistency. This guy always has an iron or two in the fire, i.e., he’s so good with, um, commercial genre, i.e., he has a substantial body of work. (Dude.) And lastly, a workshop participant (’98) – who wrote and directed a hot short – just grabbed the Best Musical Score award at the New York International Independent Film Festival. Interesting. (Didn't Lucas say that a movie's soundtrack is darn important?)

81.Zap-Gram -> 2-7-02 -> A documentary theme with a twist. Two workshop participants are redefining their creativity via reality offerings. Our "Ubermensch" filmmaker-producer -– a workshop participant from ’97 whose work grabbed attention at Sundance -- has a new short which has a PBS airdate in April. Check this out. Mr. Multitalented continues to push the envelope per an animated documentary. And no, that’s not a typo. This cutting-edge filmmaker has actually done an animated documentary. (Think about it.) Also, a workshop participant from ’96 has recently published a historical offering about movie theaters in Texas. (Sorta blends two genres, doesn’t it?) And if her book’s positive press is any indication of its public reception, we’ll probably be seeing more books penned by her in the future. Y'know, let’s hope so . . . ‘cause this caring soul has also established a name for herself per her insightful monthly column which assists writers in placing their work. (Talk about an abundance of karma.)

80.Zap-Gram -> 1-23-02 -> It’s so heartwarming to see two workshop participants (’96) proceed forward in their careers via attaining notable success. A remarkable new stage play (which was written and is being directed by one of our theatre alums) has received a rave review. And what makes this work so meaningful is its inspired originality. Wonderful craft. Secondly, when another participant takes on the mentoring role of teaching new talent . . . of having a reputation for giving so much of his time vis-a-vis instructing young filmmakers . . . and is also able to put on the producer’s hat and knock out a feature film with a toothy bite . . . um, such a helpful soul is truly wrapping himself in golden karma. We salute you. (Two can-do talents to watch.)

79.Zap-Gram -> 1-10-02 -> Eclectic gumbo. Shorts and special effects. The DV craze has attracted a number of our writers to take up the director’s chair in regards to bringing some of their condensed narratives to life. a) Last fall a workshop participant (’01) got a gig as a PA on Universal’s new feature film titled: THE LIFE OF DAVID GALE . . . and now he has plans to direct a killer short which he wrote. (Really nice flow.) Yeah, this young man is super savvy. He wants to keep his day job as a PA on future projects, and he wants to shoot “his own stuff,” too. b) Three workshop participants (’01) combined their resources (i.e., one writer-director, one writer-producer, one writer-actress), and they proceeded to nail their sexy short in November. Get this. Somehow they were able to mix "sexual desire, adultery, and violence" under a so-called PG label. (Yeah, uh-huh.) Anyway, this tight crew is in love with the work. (Networking it.) c) A workshop participant (’98) got invited to join the competition at the Los Angeles International Film Festival this July per a short which he's written and directed. Yep, this auteur has mucho chutzpah. He’s trying to set up an expanded feature version of his short to roll camera in the fall. d) Our CGI wizard known for his amazing special effects out in Lucas land, um, mentioned that he’d worked on THE MAJESTIC. Nice. And guys, he recommends that the alumni check it out. (Isn’t this a story about a Hollywood screenwriter?) e) So, all of you, y’know, hang tough. The future awaits you.

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